August 2014

Latin Font

Latin is a retro, vintage and decorative styled serif type design. It works beautifully when used in headlines for posters, but can also be spiced up to work in fashion and branding projects as well. Latin was designed by Achaz

Revelation Font

Revelation is a text typestyle that offers a diversity of usage and settings through its wide array of variants in weight and width, from condensed to expanded, regular to bold, and even outline versions. Published by Breaking The NormDownload Revelation

Caslon Graphique Font

Caslon Graphique is an elegant and sophisticated font design, released by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. The design of Caslon Graphique is copyright Scangraphic. Published by URW Type Foundry GmbHDownload Caslon Graphique

Glosa Text Font

Glosa is a type family designed for editorial purposes. Glosa is delicate and highly readable at very small sizes but reveals all its strength and personality when used at big sizes. The contrast of the sharped serifs and ball terminals,

Neo Franklin Font

Originally designed by Morris Fuller Benton, Neo Franklin is a sans-serif font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Neo Franklin

Familiar Pro Font

This family was inspired by a Type Battle over at Typophile: How would you design a font metrically compatible with Helvetica, but better than Arial? Working with preset letter widths was an interesting constraint, both a relief and a limitation

Retro Starstruck Font

Retro Starstruck is a dingbat typestyle that captures those retro starbursts and other styles you’ve seen used all over in a single typeface. A simple and sweet typeface offering easy access to the stars, and allowing you to put some

Elston Pro Font

Originally designed by Les Usherwood for a famous European car company, Elston Pro has been completely redrawn and remastered by Steve Jackaman and Ashley Muir. The new Elston Pro family has been fleshed out with a glyph set that is

YWFT Novum Font

“Novum” means “new thing,” so it’s a bit of a contradiction that YWFT Novum is a retro-styled font. This technical, heavy block font draws inspiration from a typeface originally used by the Swiss graphic designer Siegfried Odermatt. This thing is

Quentin Font

Designed by URW Studio, Quentin is a condensed wood type design released in opentype format. Published by URW Type Foundry GmbHDownload Quentin

Marquee Font

Marquis is a family of two fonts, containing both faceted and solid characters which can be layered to effect 3D, dimensional and translucent marquee-style typography, allowing for the creation of headlines reminiscent of classic theater and motion picture marquee signage.

Embossanova Font

Embossanova was initially sketched to be a monospaced typeface but quickly took on a life of its own. It developed serifs and numerous arcs and stroke weights. I wanted it to retain a pre computer/unmathematical feel so there is a

Testament Font

From the standpoint of calligraphy, a font family of capitals and uncials makes perfect sense. The Roman square capitals, the quadrata, are matched by round capitals of older Greek origin; the word “uncus” means hook-shaped like a beak or talon.

Zinjaro Font

The clever design of Zinjaro effectively captures elements of both African and Latin American art in its letterforms. A combination of decorated and solid capital strokes gives it an exciting, unpredictable appearance in word settings. An array of devices and

Melkslijter Font

With a stylish Dutch accent, this font draws inspiration from a 1935 brochure by the talented graphic designer and artist Dirk Hart. Carrying different hand-drawn lettershapes on upper and lower case slots despite being a unicase typeface, this font also

Bardi Font

Designed by Dr. Alfred Tilp, Barde is a striking, moderately dynamic design suitable for many different typographic tasks. Its individual ductus is inspired by handwriting, however without calligraphic embellishment. There are no serifs but tiny endings which lead to think