September 2014

Filmotype Keynote Font

Introduced by Filmotype in 1955, Filmotype Keynote was inspired by bold advertisers handlettering styles made popular in the late 1930s through the early 1940s. Remastered and expanded with exacting precision from the original filmstrips, Filmotype Keynote includes a full international

Bohemian Font

Mixed designs of Futura and Bodoni (Fudonis) are quite popular. Apart from being contemporary, such fonts provide excellent readability. However, most of the existing mixtures were not good enough in terms of balance for P. Kraft. He was finally inspired

Tide Sans Condensed Font

Tide Sans Condensed is fresh, carefree, and just as good looking as its extended brother, Tide Sans. The Tide Sans family includes beautiful italics and an overall affable look lost somewhere between a humanist and a neo grotesque. Tide Sans

YWFT Maudlin Font

YWFT Maudlin is a contemporary, adorable and round font design. The letters in YWFT Maudlin were designed to connect and twist around each other, resulting in endless type designs. This release works best in headline and display purposes. YWFT Maudlin

PF Monumenta Pro Font

Royal, majestic, elegant. These letters are based on Roman and Greek characters carved on stone. They come in 3 different styles. Normal and Shaded are designed to have serifs with a finer thinning. On the other hand, Metallic is bolder

Blob Font

Blob, designed by Superfried, is available in two formats Round & Square. It is an experimental, sans-serif display typeface based on simple geometric shapes. Although unorthodox, care has been taken to ensure that it is completely legible. Blob has been

Mafra Display Font

Mafra, the debut typeface by Pedro Leal, a type family suited both for editorial and corporate design, available in five weights, ranging from Light to Black with matching italics. Mafra is a contemporary typeface with plenty of style, asymmetrical and

Design Font Inspirations Two Font

New Mexico artist Jannine Cabossel, best known for her whimsical and wildly different scratch board illustrations, has put her own unique spin on this playful collection of spot illustrations. From the zaniness of a humanized carrot and a fire breathing

Didot Headline Font

In spite of its name, this font family embodies the ultimate classic modern advertising typeface, rather than concern itself with revivalism or Didone authenticity. Naturally the spirit of the original Didot faces still exists in this family, but over twelve

Criterion Font

Designed by Phil Martin in 1982, Criterion is a serif font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Criterion

Chercher Font

Chercher Slab Serif was designed by Stawix Ruecha. The design is neat, basic and simple. Chercher has 16 styles with 8 weights and supports for general use. Published by STAWIXDownload Chercher

YWFT Nim Font

YWFT Nim is all about layering. Bevel effects, outline effects, 3d effects, shadow effects–all are possible and uniquely powerful with YWFT Nim, making for a near-infinite amount of variety and style. Modern and clean, with a nod to architectural forms

Fierro Font

Fierro is a heavy-geometric-retrofuturistic typographic construction that, without any curve, still retains good legibility. These shapes are based on great bended metal pieces, which represent its name, meaning “hardware store”. It has been designed to be used in large sizes

Heltar Font

A modern neo-grotesque typeface. Having grown up in Sheffield and been completely immersed in the work of The Designers Republic I became very drawn to their treatment of Helvetica, especially the close tracking of the letter space. This visual investigation

Cloister Font

Designed by Phil Martin in 1975, Cloister is a serif font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Cloister