December 2014
Verb Condensed Font
Verb Condensed from Yellow Design Studio is a modestly condensed version of the original Verb family, taking on more classic sans-serif proportions. It shares the same confidence, energy, and friendliness. At smaller sizes Verb Condensed is open and legible, and
Stanzer Slab Font
The Black, the Block and the Shadow: Stanzer Slab is an interpretation of wood type combined with the idea of modern stencils. Instead of cutting every letter, we are presenting an example of how a modern stencil typeface could look
Ticketbook Font
Univers and Helvetica Compressed are most often used for movie posters, but they lack variants. Therefore, the Suomi Type Foundry made a compressed family with seven weights for more versatility. Published by Suomi Type FoundryDownload Ticketbook
Auxilia Font
Auxilia is a geometric sans serif font with a bit of humanist feeling. Auxilia comes with various weights and a condensed width for multiple design purposes. Published by TypomancerDownload Auxilia
New Berlin Font
New Berlin! is a set of two sans serif fonts all crafted using the natural edges contours and turns possible with the size brush I used. The “Standard” font, also contains within it A-Z and 1-9 of the “rough” font,
Cold Crush Font
“Where did it all go wrong?” is what Chris would have thought if he could have thought around the screaming pain in his shattered femur. Jumping out of a helicopter on skis had seemed like the ultimate ride until the
YWFT Dessau Font
Think drugs, lots of drugs. Pictograms and schizograms. This is a whole new level of crazy for YWFT, and is quite possibly the most seriously f**ked up thing we’ve ever done. Designed with numerous different styles that you can layer
PF Centro Serif Pro Font
Centro Serif Pro is an award-winning typeface. It received a Gold Award from the European Design Awards 2008 and an Excellence Award from the International Type Design Competition 2009 as part of the Centro Pro type system. This large series
DustUp Font
This face was created for Volumeone’s 25th season, Brutal Honesty, by Matt Owens. This one weight display typeface contains all capital letters, numbers and punctuation. Published by Matt Owens_VolumeoneDownload DustUp
Lucida Bright Font
Designed by Charles Bigelow and Kris Holmes in 1993, Lucida Bright is a clean serif design released by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW++ Download Lucida Bright
Ribera Font
Ribera is a contemporary sans serif typeface including three styles. The Ribera characters have smooth curved spins and little contrast combined with a big x-height and big counters. These characteristics make Ribera ideal for almost any type of graphic design.
Thunderhouse Font
A tasty jambalaya of three different weights of wood type, Thunderhouse owes part of it’s flavor and diversity to 52 OpenType features that automatically substitute a unique pairing of characters when any upper or lower case character is keyed twice
YWFT Isanti Font
Named after one of the most Swedish-American counties in Minnesota, Isanti is a hand lettered calligraphic font made to honor our nordic heritage, Lutheran illumination, and European newsstands. Generous spacing was given to Isanti to help with legibility at smaller
Flywheel Regular Font
Although Flywheel™ was designed in the early 90s, its design was popular in the 80s and remains popular today as an iconic look for futuristic themes: books, movies, arcade games and packaging. The design is rigid, geometric, straightforward and yes,
Algo FY Font
Algo FY is a singular font family with broken ductus and blackletter aspect. Clearly inspired by calligraphic shapes, each of the three weights have been especially designed as if the tool has changed. With its special articulations and its differentiated
Churchward Lorina Font
Churchward Lorina is a four weight typeface family originally designed in 1996 by New Zealand type designer Joseph Churchward. A personable geometric sans serif, it possesses some of Churchward’s trademark quirkiness but remains highly legible and readable on screen as
Bristol Adornado Font
Bristol and Bristol Adornado (also known as Greco) was first released by Fundición Richard Gans of Madrid, Spain, in 1925. The Richard Gans Foundry is a defunct Spanish foundry which existed from 1888-1975. Throughout its existence, types were designed by
Creighton Pro Font
Designed by Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood’s ‘Elston’ typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). However, the new