February 2015

Henparty Sans Font

Originally created by the Tart Workshop’s own Crystal Kluge as a logo for an online tea store for chicks, Henparty Serif and Henparty Sans are sure to delight! These fonts are perfect for baby announcements, giftware, any creative kid projects,

Compasse Font

Compasse is a semi-condensed sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 12 style: six weights from Thin to ExtraBold and their matching Italics. The range of styles provides flexibility for title, headline and body text.

Memphis Font

Memphis is a modern and fashionable slab-serif originally designed by Rudolf Wolf, brought to us by the german type foundry URW. Contains a simple but powerful family set with options from extra-light to bold. Memphis works great in an a

Erbar Neo Mini Font

Erbar, designed by Jakob Erbar for Ludwig & Mayer in the early 1920s, is truly a key design from a historical viewpoint. None other than Paul Renner studied Erbar and used this knowledge in the desing of his famous Futura.

YWFT Reversion Font

YWFT Reversion is an interestingly wide and versatile display type design, perfect for a striking headline or an attention-grabbing poster or billboard. One of YWFT Reversion’s strengths is its ability to help any designer start custom lettering jobs with a

Organda Font

Organda is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Organda

Jason Uncial Font

Jason Uncial, a unicase font, was created by Dutch designer Coen Hofmann. Uncial hand writing began to spread in Europe at the time of the late Roman Empire (200 A.D.). It influenced both the Carolingian Minuscule as well as our

Twine Font

By twisting and weaving separate strands of rope together, a stronger TWINE is created. The distinctive “valleys” that give the twine its twisted and wavy appearance is the result of the twining process. Similarly, TWINE the font, is an exaggerated

Estandar Rounded Font

Estandar Rounded is a retro and vintage wayfinding sans serif font, inspired by old signal in central park and Europe. Is a Condensed sans with their tall x-height, the family has 6 Weight, its italics and a dingbat. It is

Karlsen Round Font

Designed and built in London by TypeUnion, Karlsen Round is a structured, functional typeface which embraces harmony, flow and versatility, but with a cheeky twist. The Karlsen Round Family is made up of 14 styles, which range from a delicate

Aaux Next Pack B Font

When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility. Years went by before I was willing to pick it up again and invest the proper time into building

Peter Schlemihl Font

Adalbert von Chamissio wrote that wondrous story about the man who sold his shadow to the devil. Walter Thiemann recovered that shadow when he put a thin and a shadow line around his Tiemann Fraktur. It is an embellished and

Lodge Font

Lodge is a display face that has a woodtype aesthetic of the early 1900’s. It’s form makes it highly unique while still being legible. Published by Sparky TypeDownload Lodge

Distillery Set Font

The Distillery Set is a collection of 5 fonts: Display, Strong, Script, Caps, and Icons. The fonts’ influences are in lettering from different eras and styles. They reflect forms from the Arts & Crafts movement, the Roman majuscules, artistic printing,

LTC Ornaments Animalia Font

Lanston Monotype made individual ornaments that could be ordered as needed. They were not generally sold as “fonts” as assorted characters, but often individually or in multiples of the same ornament to make borders. This collection of 62 ornaments features

Wanderlust Letters Font

Wanderlust letters is a beautiful hand painted script that comes with a set of extras. All letters have been carefully painted giving your words a wonderful flow. Wanderlust can be used for fashion, apparel, stationery, magazines, film, books and marketing.

Raleigh Gothic Condensed Font

In 1932, the great American type designer, Morris Fuller Benton was busy directing the creative departments of ATF and designing type. Big on his plate during that period was the development of the Bank Gothic® family among other typefaces like