March 2015
FontForum Supernormale Font
Type is a very important element within the corporate design process. A corporate font that works in all media (screen, print, vinyl etc) delivers a very high level of recognition and resultingly, identification with the company. Most of the existing
Dsari Font
It is inspired by the friendliness and cordiality of neo-humanist typefaces with a mix of rounded shapes, some apexed characters, and a little bit of black. Although it follows the ductus, D Sari is also a daring font with less
Canberra FY Font
Canberra FY is a contemporary and low-contrast serif typeface that shows legibility with personality. Its asymmetric and short serifs render a versatile look, always usable and friendly. As Canberra FY is very legible with its book style in small sizes,
Saya Serif FY Font
Here comes the serif! After her big sisters version, Saya Sans and Saya Semi Sans, meet Saya Serif! With its lightly condensed letterforms and its elegant sharped serifs, this font family is both suitable for text and display use. It’s
P22 Late November Pro Font
Late November is a transitional Antiqua-inspired type design. From the designer: “I started working with the design one dark, late November night, two years ago. After two years of work, I felt I had to draw the line and consider
Arquitecta Office Font
We have adapted the version of our Arquitecta font for use in Microsoft Office™. It only has 4 variants: regular, italic, bold and bold italic. Font weights have been named in a way that can be clearly shown up in
Yard Sale Font
Last year I put out my old yard sale sign and the city told me it was violating a bylaw for being too ugly of a sign in a public place. Not this year! This year I used BLKBK’s ‘Yard
Frankfurter Font
A truly fun typeface that emerged in the 1970’s and remains popular to this day. This heavy sans serif face with curved terminals has been used extensively in display typography where a modern, but informal appearance is needed. Designed by
Akagi Pro Font
Akagi Pro is a complete rebuild and expansion of my popular Akagi typeface. Contemporary, clean, simple and friendly continue to serve as the adjectives for an expansion that includes 250 additional characters per weight, many new ligature options, expanded stylistic
Acta Poster Font
First designed for chilean newspaper La Tercera in 2010, Acta family is a clean and fresh type system, while enough conservative for newspaper setting. The complete Acta Type System contains Acta and Acta Display both with six weights with matching
Unicod Sans Condensed Font
This font has been especially designed for Mostardesign Studio by Olivier Gourvat. Created in 2010, this font family has been designed to serve sectors like financial services, modern industries, business and many more activities who needs a modern aspect in
Ronaldson Font
The metal Ronaldson was the magnum opus of Alexander Kay, a first generation Scottish-American expert punchcutter whose résumé included clients no less historically prominent than Henry Caslon, Vincent Figgins and the Stephenson Blake company. His expertise at cutting roman faces
YWFT Wellsworth Font
YWFT Wellsworth is the lovechild of that wayward 70s Julia Script and a massive-shouldered fellow with a big black beard and a laugh that rolls like thunder. Formerly known as a handset only design, YWFT Wellsworth is now a powerful,
Splendor Font
Splendor was originally produced and released in 1930 by Schriftgub AG, Dresden. The typeface was designed by Berlin designer Wilhelm Berg. Ralph M. Unger, who in the last few years has created a whole series of revivals and redesigns from
Filmotype Western Font
Inspired by French Antique reverse-stress types of the 1880s, Filmotype Western was released in 1955 to expand its Flat Serif category. Popular in broadsides, circus posters and advertisements at the turn of the 19th century, Filmotype Western will add old