May 2015

Gibbs Font

Gibbs is a tough, sophisticated sans, named for prolific maritime architect William Francis Gibbs and inspired by his greatest design, the record-breaking mid-century luxury liner SS United States. Taking various cues from the unique cast aluminum signs found on board,

Eurydome Font

Eurydome is one of Jupiter’s many moons, and was named after Eurydome, the mother of the Graces in Greek mythology. Eurydome was inspired by the Grotesque face Venus, with an additional flair added to the lowercase a, b, d and

ASCA-D Font

ASCA-D is the latest version in the ASCA series from Suprb and the Subtype foundry. After the original version titled ASCA, ASCA-D was later developed as a lighter and cleaner version to represent Diesel’s online presence in Sweden for Diesel

P22 Speyside Font

P22 Speyside by Torleiv Sverdrup P22 Speyside is a round, curved and controlled sans serif, with an additional set of decorated uppercase letters, initials and small caps. It’s appropriate for text, titling and display. The origin of the name is

Constructa Font

Marit Otto about Constructa The building typeface. Although the 70ties were very liberating and progressive, still girls played mainly with dolls and sweet things and boys with all kinds of challenging stuff. They did all sorts of basic scientific experiments

PH Font

PH from Fontfabric Type Foundry is a multifaceted font system consisting of different font weights and type of condensation. Every one of these font weights contains a number of extension types – Condensed, Narrow, Regular, Extended and Wide. Along with

Delm Font

Although ink trap became obsolete since the digital age has settled in, we are still enchanted by the form and thus let it breath new life into the new typeface Delm. A San Serif design, Delm has a simple and

Gaulois Font

A couple of years before the second World War, Marcel Jacno, the popular French graphic designer who in the 1930s designed iconic posters for Gaumont and Paramount and famously illustrated the Gaulish helmet that first adorned the Gauloises cigarette packs

Sultania Font

Syltania is a harmonic synthesis of the old characters’ suppleness and the resolute, clean design of modern typography. The rich in contrast calligraphic approach with thick and thin strokes is still visible and you can almost feel traces of ink

YWFT Pineapple Font

YWFT Pineapple is historically based in the Art Deco period (1920s/30s) but set adrift for awhile and spiced with the rum of the present. YWFT Pineapple is suitable for many uses, but has an affinity for being juxtaposed with unfamiliar

Aesthet Font

Aesthet is a sans serif type family of 4 weights. Based on the personal experience of rural living, Aesthet is a reflection to embrace simple, community and nature inspired lifestyle. The idea created during experimental exploration demonstrates the evolutionary transition

Creepster Pro Font

Its ghastly! Its gory! Its gruesomely gleeful! Its Creepster Pro, the blood-curdling new font from Squid and Sideshow. This fright-filled font has so many alternates its like stitching together your own monster every time you use it. Creepster Pro: Perfect

Freakshow Font

A curvy little number resembling a typestyle found on old circus banners. FULL CHARACTER SET Each font in the Freakshow™ family has a full character set of 232+ letterforms, with all characters designed in the style of the font. Published

Realtime Stencil Rounded Font

Realtime Stencil Rounded is part of the Realtime type family which draws inspiration from information displays. The result is a technical yet friendly design with details that serve function and visual impact alike. As a monospaced typeface it lends itself

King Bloser Font

King Bloser Is a calligraphic font family inspired by Masters of Penmanship. The name King Bloser is a homage to penman E.W. Bloser from the 18th century; While the typeface has nothing from Bloser’s work, he was one of the

Byker Font

Byker is a geometric sans serif font that blends technology with handcrafted skill. The letterforms are constructed digitally from a technical grid and overlaid with handmade curves. The combination of this process creates a strong, organic font that is precise