June 2015

Justus Pro Font

Justus Pro is a modern Egyptienne with a humanistic touch. It avoids the slightly rustic character of older Egyptienne designs and, despite its distinctive forms, develops a high level of elegance and readability. Designed by Volker Schnebel for the Digital

LTC Ornaments Two Font

LTC Ornaments Two is the first Lanston Ornament font which uses OpenType features to assist in decorative border creation. The ornaments themselves features designs of Fournier and other classic fleurons and ornaments whose origins date back to the earliest printers.

Lilycat Font

Lilycat is inspired by paper cutting. Individual characters were created by assembling basic cut-out paper shapes; rectangles, cut-out circles and half circles. They share characteristics of Futura and Art Deco fonts. Uneven edges give it a crafty, authentic feel. Capitals

Arquitecta Standard Font

Arquitecta Standard. The humanist typography as a rational project. Since the experimentation from the Bauhaus through modern sans history we looked for a new mix to construct a rational geometric typeface with humanist proportions suitable for text layout and continuous

YWFT Shade Font

YWFT Shade is an original Jeff Rodgers handset design, now converted into a working system font by the designers at YouWorkForThem. All the inlines, drop shades, and outlines of the original artwork has been preserved with great attention to detail.

Biographer Font

Biographer is a mild upright script drawn by Angel Koziupa, with Alejandro Paul art directing and producing. Elegant but quite reminiscent of roman forms and proportions, Biographer keeps the calligraphy mostly toned down, but its ascenders and descenders occasionally flare

Sybarite Font

Sybarite is a fat face that works at any size. Capitals with sweeping curves and sharp unbracketed serifs command attention while charming minuscules expose the amiable side of its demeanor. Sybarite is James Puckett’s revival of the fat face type

Scripton Font

Bouncy, slanted and urban brush typeface Scripton combines 2 different glyph weights within single font file which gives an specific rhythm and contrast to titles and paragraphs. Published by Tour de Force Font FoundryDownload Scripton

Impact Font

Impact is a realist sans-serif typeface designed by Geoffrey Lee in 1965 and released by the Stephenson Blake foundry. Its ultra-thick strokes, compressed letterspacing, and minimal interior counterform are specifically aimed, as its name suggests, to “impact.” Impact has a

Parfum Font

Inspired by H. Trafton‘s Quick, released by Bauer in 1933, Parfum is a beautiful script font of timeless elegance. Published by RMU TypedesignDownload Parfum

Danger Mode Font

When Raptor flies, I don’t care about surface to air missiles, attack helicopters, or tanks. I don’t even need powerups. I play in Danger Mode. And I win. Published by BLKBKDownload Danger Mode

Weiss Antiqua Font

In 1928 Emil Rudolf Weiss designed Weiss Antiqua, a classic and and versatile serif design. Use this design in a wide range of projects, great for the design toolbox. Published by URW Type Foundry GmbHDownload Weiss Antiqua

Raffish Font

Raffish is a display typeface with its formal base in Dutch type designer Henk Krijger’s seminal typeface Raffia – the most decorative and handsome of script typefaces. It is ornamental, baroque and relies on a triple-stroke structure that infers weight

Barranco Font

Barranco is a 3d layered font family of 3 weights (thin, medium, black), plus shadows and one inline effect layer. It’s inspired by the caps neo-humanist typefaces of the 80’s with a mix of new trends such as the new