BoRock Font
BoRock is a handcrafted font that comes in two pigheaded styles, inspired by the rock music scene. You can use BoRock instead of the usual neat serif fonts. BoRock Grunge is a rough crispy serif font, excellently suited for use
August 2016
Orev Edge Font
Orev Edge is altered modified from the form of the original “Orev” typeface. We added curved line in both inner and outer edges, including the structure of typeface. Import to be more friendly, the font family has smoother terminals that
Pret a Porter Font
Prêt-à-porter is a project developed as part of a series of type experiments appearing on the blog ‘Letritas’. Prêt-à-porter is a very expressive friendly font with a handwritten look, smooth curves and strong identity. Its counterforms make it a carefree,
Shamus Pro Font
Designed by Steve Jackaman & Ashley Muir. Shamus is a unique uncial design that contains several weights. Designed with many alternate glyphs and flourishes, Shamus embodies all the high-end features expected in a quality OpenType Pro font. Published by Red
Kolibri Isolated Font
Designed by Kris Holmes in 1993, Kolibri Isolated is a simple script font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Kolibri Isolated
Rodger Font
The Rodger typeface family’s main source of inspiration came from rounded display faces of the 1960s and 70s, but it also references sans serif, rounded typefaces found in wood type collections of the 19th century. Despite its vintage roots, Rodger
Alexon Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Originally in one weight, Steve designed and produced three additional weights. Published by Red RoosterDownload Alexon
Pseudonym Font
Pseudonym is a low-contrast, subtly-flared serif available in four weights across three styles in both roman and italic. Features: • Full set of small caps with diacritics and figures • 30+ discretionary ligatures, catchwords and alternate characters • Full European
Quaderno Bianco Font
Quaderno Bianco is an Uppercase handwriting font with two weights – regular – bold. It has some Opentype features: Small Caps and Random (contextual alternate), this last one use four alternative style for alphabet letters and one alternative style for
Administer Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. A few weights were originally released by another foundry; but this complete version of the family is a better match to Les original drawings! Published by Red RoosterDownload Administer
Veronese Font
Designed by Steve Jackaman, Veronese is based on the early original Monotype design, you can definitely see the influence of Italian Old Style, Jenson and Morris Golden Type. Published by Red RoosterDownload Veronese
Goudy 38 Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Originally designed by Frederick Goudy for the original Life magazine, circa 1908. The typeface was used almost exclusively for their advertising and was often known as Goudy Gimbel; but the typeface
Carrig Font
Carrig is a Classic Antiqua typeface that was inspired by letterforms that have been carved into stone and weathered by time. Features: • Full European Character Set • 410 Glyphs • Alternate Letterforms for capitals O, Q, R and U.
Roller Font
Designed by A. Pat Hickson, Roller is a retro font design based on Iberica by Carlos Winkow for the Spanish foundry, Nacional, circa 1942. Published by Red RoosterDownload Roller
Garamond Font
Garamond was originally designed by R.H. Middleton for Ludlow, circa 1929-30. Digitally engineered by Steve Jackaman. Published by Red RoosterDownload Garamond
Glass Light Font
“Glass Light” was designed in 1912 by “Franz Paul Glass” for the “Genzsch & Heyse” foundry. The font is stylewise related to the “Lo types” of the same period. Glass designed a lot of decorative elements to go along with
Frontage Condensed Font
Frontage Condensed is a layered type system inspired by eye-catching and colorful facade signage. Its main aspect is — like many typographic installations on storefronts — three dimensional. The narrow, generously spaced letterforms lend the typeface a bold and eminent
My Script Font
My Script is exactly that – my script – only for everybody’s use! Originally I designed it as a christmas present for my friends and clients, they liked it. So I thought other people might like it as well. I