Tag: 1800s
SteamCourt Font
A bit of background if you will: In early 2014, some friends from my college days banded together to form their own game company. Their first launch? A current Kickstarter they named SteamCourt. I love Kickstarter. It’s a fantastic platform,
Janson Font
This is URW’s digitization and design of Miklós Tótfalusi Kis’s classic serif Janson. Janson is the name given to an old-style serif typeface named for Dutch punch-cutter and printer Anton Janson. Research in the 1970s and early 1980s, however, concluded
Sybarite Font
Sybarite is a fat face that works at any size. Capitals with sweeping curves and sharp unbracketed serifs command attention while charming minuscules expose the amiable side of its demeanor. Sybarite is James Puckett’s revival of the fat face type
Le Havre Rough Font
Rough’s eroded, printed look is extremely customizable, offering eleven distressed choices that appear fantastic even at large output sizes. Go ahead. Try it on, say, a billboard. Maybe even Times Square. The font includes hand-printed texture and distinctive shadow choices,
Blackstock Font
Blackstock has 52 OpenType features that automatically substitute a unique pair of distressed characters when any upper or lower case letter is keyed twice in a row, as well as features for Old Style Numerals and Small Caps. Published by
Polytype Medoc I Frames Font
Designed by Karl Nayeri, Polytype-Medoc I Frames is a font released for the Prime Graphics Type Collection. Copyright Prime Graphics. Published by Prime GraphicsDownload Polytype Medoc I Frames
Bourbon Font
Like a brother to Gin, Bourbon is a condensed display typeface inspired by the likes of whiskey bottles and vintage serifs. It enjoys long walks with subtle, distressed textures or a nice, good-ole script. Bourbon Rough works great in larger
Cabrito Inverto Font
And so now, here it is. Cabrito Inverto, which features the reversed stress of the strokes from a font’s “normal” traits. Inverted stress fonts are most often associated with cowboys and the Old West. The inverted stress gives it a
King Bloser Font
King Bloser Is a calligraphic font family inspired by Masters of Penmanship. The name King Bloser is a homage to penman E.W. Bloser from the 18th century; While the typeface has nothing from Bloser’s work, he was one of the
Ultramarina Font
Halfway between nineteenth century display wood letters and the American grotesk sans-serif in early twentieth, we find Ultramarina. A display font designed for use in large body headlines, it contains a strong power of attraction. Ultramarina also contains numerous OpenType
P22 Wood Type Extras One Font
A dingbat design based on 19th Century American wooden printing types. Published by P22 Type FoundryDownload P22 Wood Type Extras One
Tailor Font
Tailor was a study of slab serif style with round and comfortable feel. I wanted to merge round shapes with exaggerated ink traps for legibility. Published by Suomi Type FoundryDownload Tailor
Applewood Font
With its distinctive imperfections and old fashioned sensibility, Applewood imparts a unique flavor to your project. The Applewood family uses OpenType features to substitute a unique pairing of characters when any upper or lower case letter is keyed twice in
Mr Darcy Font
The elegant and very graceful Mr. Darcy is sufficiently compete with its additional characters–to be stated more precisely, over 136 defining alternates. These optional features are carefully displayed within the supplied brochure. The employ of the Mr. Darcy family moreover
Polytype Numa Frames Font
Designed by Karl Nayeri, Polytype-Numa Frames is a font released for the Prime Graphics Type Collection. Copyright Prime Graphics. Published by Prime GraphicsDownload Polytype Numa Frames
Columbia Titling Font
Columbia Titling is an titling-caps display family based on wide Clarendon-style wood type and industrial signage design from the late-19th and early-20th Century. Columbia Titling includes a small set of OpenType features, including both tabular and proportional figures, special superscript