Tag: 1800s
Polytype Patterns Two Font
Designed by Karl Nayeri, Polytype Patterns Two is a font released for the Prime Graphics Type Collection. Copyright Prime Graphics. Published by Prime GraphicsDownload Polytype Patterns Two
P22 Victorian Set Font
P22 type foundry presents a font set created in conjunction with the Albright-Knox Art Gallery’s exhibition of Victorian-era French artist James Tissot. The fonts developed for the P22 Victorian set are based on historic typefaces dating from the late 19th
Bradley Font
Bradley, originally designed by Herman Ihlenburg based on lettering by Will H. Bradley for the cover of a Christmas issue of an American magazine, is a pretty heavy blackletter design. ATF released it in 1895. It is based on very
Polytype Arrowtek One Font
Designed by Karl Nayeri, Polytype Arrowtek One is a font released for the Prime Graphics Type Collection. Copyright Prime Graphics. Published by Prime GraphicsDownload Polytype Arrowtek One
Polytype Optyx Two Font
Designed by Karl Nayeri, Polytype Optyx Two is a font released for the Prime Graphics Type Collection. Copyright Prime Graphics. Published by Prime GraphicsDownload Polytype Optyx Two
Sirius Font
Sirius is an old style and formal serif designed by Coen Hofmann in 2003. The Sirius family contains four beautiful style options that also includes a small caps style. Published by URW Type Foundry GmbHDownload Sirius
Bodoni Campanile Font
Bodoni Campanile was originally designed by R.H. Middleton for Ludlow, circa 1930. Digitally engineered by Steve Jackaman. Published by Red RoosterDownload Bodoni Campanile
Cheap Pine Font
Cheap Pine is a tribute to the wood type of the eighteenth century and nineteenth century. You can use Cheap Pine Sans Cheap Pine Shadow together to influence the color of the shadows. The font contains arrows hands stars and
URW Bodoni Font
URW Bodoni is a family of 50 serif typefaces first designed by Giambattista Bodoni in 1798. The typeface is classified as didone modern. Bodoni followed the ideas of John Baskerville, as found in the printing type Baskerville, that of increased
Polytype Allure Two Font
Designed by Karl Nayeri, Polytype Allure Two is a font released for the Prime Graphics Type Collection. Copyright Prime Graphics. Published by Prime GraphicsDownload Polytype Allure Two
Polytype Artimus I Frames Font
Designed by Karl Nayeri, Polytype-Artimus I Frames is a font released for the Prime Graphics Type Collection. Copyright Prime Graphics. Published by Prime GraphicsDownload Polytype Artimus I Frames
Homemade Text Font
Homemade Text was designed to correspond with GrandesVacances & Mademoiselle. A very sweet and legible serif font. Published by Dharma TypeDownload Homemade Text
Aeronaut Font
A Neogothic typeface that radiates trendy ease and allows bicolor compositions. The decorative elements of Aeronaut, the swashes we call parachutes and the squiggly arrows of the upper-case characters soften the font’s Gothic appearance. It’s the reason why we labeled
King Tut Font
King Tut is a restoration and expansion of the original Egyptian Expanded, a single bold face cut in 1850 by Miller & Richard, the famous Edinburgh founders. This aesthetic, though originally issued to help drive simple print advertising of those
Mademoiselle Font
This woodtype is the one of the most unique, wild, tuscan themed fonts this side of the frontier. Works great when combined with Flat-It’s Homemade text font. Published by Dharma TypeDownload Mademoiselle
Schiller Antiqua Font
Designed by Steve Jackaman, Schiller Antiqua is based on Hispalis from the Spanish foundry, Nacional. Published by Red RoosterDownload Schiller Antiqua
Dharma Slab Font
Dharma Slab is an antiqued slab serif designed inspired by 1800s-style wood type. All glyphs had been designed carefully to be retro-looking of the old time and to fill all with nostalgia. This condensed font family with 42 styles will
Mercy Font
This Ladies’ Hand Style font is very (somewhat) similar to ornamental penmanship, but uses slightly longer ascenders and descenders and a modest shading. Originally the Ladies’ Hand had less flourishings, which was ideal for writing long letters. Even though its