Tag: 1900s
Raleigh Gothic Condensed Font
In 1932, the great American type designer, Morris Fuller Benton was busy directing the creative departments of ATF and designing type. Big on his plate during that period was the development of the Bank Gothic® family among other typefaces like
Galba Font
Galba is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Galba
Polytype Optyx One Font
Designed by Karl Nayeri, Polytype Optyx One is a font released for the Prime Graphics Type Collection. Copyright Prime Graphics. Published by Prime GraphicsDownload Polytype Optyx One
Polytype Vegetables One Font
Designed by Karl Nayeri, Polytype Vegetables One is a font released for the Prime Graphics Type Collection. Copyright Prime Graphics. Published by Prime GraphicsDownload Polytype Vegetables One
Brigade Font
In searching for a Roman to use there were bits of Bembo,Times,Garamond etc., that I liked and bits that I did not. So I set out to take the best bits of all my favourite Romans and tried to create
Suomi Slab Serif Font
All typewriter types are rounded and especially American Typewriter has an almost too-slick appearance. Suomi Slab Serif has the glyph shapes similar to typewriting, but the serifs, terminals and connections are crisp and sharp. Published by Suomi Type FoundryDownload Suomi
Polytype Brutus II Frames Font
Designed by Karl Nayeri, Polytype Brutus II Frames is a font released for the Prime Graphics Type Collection. Copyright Prime Graphics. Published by Prime GraphicsDownload Polytype Brutus II Frames
Greta Font
To design a font Greta I was inspired by a typography taken from the prayer book Benedict XV from 1888. Font Greta is designed in two versions – lower and uppercase characters. Published by Blazej Ostoja Lniski Download Greta
Megaphone Font
Designed by Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood’s ‘Elston’ typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). The new design
Eden Pro Font
Based on the original 1934 Ludlow drawings by Robert Hunter Middleton, we created two additional weights that round out the family. Eden contains all the high-end features expected in a quality OpenType Pro font. Published by Red RoosterDownload Eden Pro
Griffon Font
Griffon, titling face with influence from classic letterforms, inspired by retro faces in the early 20th century. This font family was all redesigned from scratch and now released ranging in 5 weights with small caps from Light to Bold. The
Caslon Extra Condensed Font
Designed by Steve Jackaman, Caslon Extra Condensed is based on the Ludlow/ATF versions of this great typeface. Published by Red RoosterDownload Caslon Extra Condensed
Cloister Initials Font
Cloister Initials™ have become FontHaus’s most popular decorative initials font since we began selling it in 1993. First released in 1919 for ATF, Goudy’s “Cloister Initials”, sometimes called Goudy Initials is recognized as “one of the most beautifully designed set
Magesta Script Font
The Magesta Script family by Yellow Design Studio is a set of four retro script fonts that capture the warm, authentic qualities of letterpress printing. Light, Regular, and Bold weights were created using different levels of ink coverage, while Mix
Pauline Font
Pauline is a sans serif with a strong influence from retro scripts. Pauline is a geometric face formed with slow and deliberate rounded brush strokes. The tall ascenders give it a useful touch of naïveté. It’s a face suitable for
Veneer Font
Veneer is a registered copyright © 2015 Yellow Design Studio. All Rights Reserved. Veneer from Yellow Design Studio is a high resolution hand-crafted letterpress font that’s vintage and authentic with a touch of grunge. It’s highly customizable with six distress
P22 Parrish Set Font
Maxfield Parrish (1870-1966), whose career spanned nearly ninety years, holds a unique place in American art and culture. He was enormously accomplished and successful in both fine art and commercial endeavors. Parrish’s hand-drawn letters were a significant part of his