Tag: 1930s
Penstroxx Font
“Penstroxx” is a collection of 5 fonts that are based on the powerful, expressive “Traits de plume” (pen strokes) designed in Paris around 1930 by Alfred Latour. I designed a lot of extra pen strokes to make this a full
Scirocco Font
“Scirocco” is a hot and humid wind that blows from the Sahara over to France and Italy. It crosses the mediterranean sea and carries lots of fine desertdust with it. Once it hits the costs of Provençe one can feel
Soft Times Font
“Soft Times” has been easy on my nerves after the strain of “Hard Times”. The harder the Times are the more do we need some soft typefaces, this one is the soft counterpart for “HardTimes”. Published by Wiescher DesignDownload Soft
Viata Font
“VIATA” is my new experimental Sans again based on the modernistic, constructivist letterforms of the “Bauhaus” era. The names Herbert Bayer and Paul Renner come to mind as design beacons of that time. “VIATA” has flat tops and round bottoms,
Noticia Font
“NOTICIA” is my new Sans based on the modernistic, constructivist letterforms of the “Bauhaus” era. The names Herbert Bayer and Paul Renner come to mind as design beacons of that time. “NOTICIA” is different in its proportions and long ascenders
Hard Times Font
“Hard Times” has been hard work, designing a handmade typeface must always have the right balance between rough and smooth, specially with this Times-like face. It has the big European glyph-set, so that it can be used all over the
Red Tape Font
Red Tape is three fonts that were designed by sticking letters together with red tape. It makes for a wonderful makeshift set of fonts. And I really enjoyed sticking those letters together. Of course I did it on screen using
Sycamore Font
Designed by Les Usherwood, Sycamore was digitally engineered by Steve Jackaman. Published by Red RoosterDownload Sycamore
Deliscript Font
Although initially inspired by the neon sign in front of Canters Delicatessen in Los Angeles, the design of Deliscript Upright and Deliscript Slant soon took on a life of its own and its own distinctive look. Like its sibling Metroscript,
Paganini Font
Designed in 1928 by Alessandro Butti under the direction of Raffaello Bertieri for the Nebiolo foundry, Paganini defies standard categorization. While it definitely is a classic foundry text face with obvious roots in the oldstyle of the Italian renaissance, its
Brawls Typeface Font
Brawls Typeface is new font from Heybing Supply Co, the handmade font with simple, minimalistic, retro and vintage feel character set. Come with 2 styles, a clean and rough to create an option for the designs. To create the beautiful
Archie Font
Archie is a wide attention-grabber based on a simple geometric alphabet drawn in the early 1930s by Dutch calligrapher and lettering artist Martin Meijer. This digital family expands considerably on the original letters, adding biform shapes, small caps, italics across
Novecento Slab Font
Novecento Slab is the “slab serif” companion of Novecento Sans, a font family inspired on european typographic tendencies between the second half of 19th century and first half of the 20th. This font face is designed to be used mostly
Old Depot Font
Old Depot is a newly reworked idea for the Depot Trapharet 2D font. It supports more languages and is available in more lettering. Old Depot stands out with its industrial nature of archaic spirit. It is a wonderful choice for
Polytype Medoc I Frames Font
Designed by Karl Nayeri, Polytype-Medoc I Frames is a font released for the Prime Graphics Type Collection. Copyright Prime Graphics. Published by Prime GraphicsDownload Polytype Medoc I Frames
HAUS Sans Font
HAUS Sans is inspired by Bauhaus and historical grotesk typefaces of the 1930s. Available in 6 weights, from “Ultra Light” to “Extra Bold” regular and italic versions. The font includes 389 gliphs, with subscripts, superscripts, ligatures and support almost all
Pickworth Font
Designed by Steve Jackaman & Ashley Muir. An antique, rustic or even mystical design that will grow on you the more you use it. Pickworth contains all the high-end features expected in a quality OpenType Pro font. Published by Red