Tag: 1980s
Addington CF Font
Addington is a graceful and reliable serif, useful in any situation. Beautiful yet practical, Addington is designed for excellence in text-heavy settings while doubling as a capable and strong display typeface. Complete with seven weights, true italics, and many OpenType
Fraktura Font
“Fraktura” and “Fraktura Plus” is a set of classical Fraktur (Blackletter) in a modern interpretation. The two fonts differ in the amount of embellishments and can and should be mixed. I only sell the pair, but for a fair price.
Ela Swashes Font
“Ela Swashes” are not meant to and can not be used as a standalone typeface. Swashes are a set of many different embellished letters to be used together with Ela Demiserif fonts of corresponding weights. Published by Wiescher DesignDownload Ela
Fat Times Font
“FatTimes” is an extension to my HardTimes family. Times are too hard for boring typefaces, so try the fat one one for a change. Published by Wiescher DesignDownload Fat Times
Ela Sans Font
“Ela Sans” is the sister of the typeface I originally designed for the business of my second wife and mother of my two sons, her name is – of course – Michaela. Ela – the typeface – is suitable for
Ela Demiserif Font
Ela Demiserif is the typeface I originally designed for the business of my second wife and mother of my two sons; her name is, of course, Michaela. Ela – the typeface – is suitable for magazines, newspapers, posters, advertisements, books,
Paillas Font
“Paillas” is a very elegant and unusual Antiqua typeface I have been working on during the last three years. So far I just have the normal and oblique cuts, but eventually I will design a bold version as well. Published
Copperplate Deco Font
“Copperplate Deco” is my sparingly decorated version of my Copperplate fonts. They can be used as stand alone fonts. Published by Wiescher DesignDownload Copperplate Deco
Soft Times Font
“Soft Times” has been easy on my nerves after the strain of “Hard Times”. The harder the Times are the more do we need some soft typefaces, this one is the soft counterpart for “HardTimes”. Published by Wiescher DesignDownload Soft
Dylan Font
“Dylan” is a Sans typeface in the best American tradition. In order to keep corners open and to make the font more readable in small sizes it has deep cuts where curves join straights. I designed 7 finely tuned weights
Alpha Delta Font
“Alpha Delta” the standard paperclip is the basic idea behind this font. By working on it, I changed it so that it doesn’t look too much like a paperclip any more. Published by Wiescher DesignDownload Alpha Delta
Hard Times Font
“Hard Times” has been hard work, designing a handmade typeface must always have the right balance between rough and smooth, specially with this Times-like face. It has the big European glyph-set, so that it can be used all over the
Supra Rounded Font
“Supra Rounded” is the newest addition to my big Supra family. It really rounds of the huge family with a friendly design, that makes it an excellent and elegant text-typeface. It is an OpenType family for professional typography with an
Bodoni Classic Pro Font
This is my new, completely worked over and fine-tuned Bodoni Classic for Europe (no Greek and Cyrillic). I have added a set of elegant Swashes (B) and 2 alternating uppercase swirly Initials (C) as well as two lowercase end-letters (D).
Bayshore Font
Perm your hair, squeeze into your lycra, and retro-fy your text with Bayshore! A totally tubular mono-line script font straight out of the 80’s. This hand-drawn font is perfect for creating slick & stylish lettering. Whether it’s for logos, product
Crown Heights Font
Persisting through generations, fount of philosophies declaring divine right: On top of the dais, on top of the throne, on top of the head, Crown Heights represents the pinnacle of power and prestige. Published by BLKBKDownload Crown Heights
Real Talk Font
Real Talk packs the same lip flapping smacks and pharyngeal grunts as any old nonsense. But while a baby can only babble, a grown man can mean something. Put words in perspective, located on the axes of breadth and depth,