Tag: alternates
Semikolon Font
Optimal readability by reduced, distinct letter forms. Appropriate for early readers of any age in schools and other educational institutions. SemikolonPlus minimizes the risk of confusing similar characters and therefore is predestinated for the use in text blocks, work sheets,
Feast Font
Feast is a calligraphy style font designed by Alissa Mazzenga. Her hand-sculpted letterforms emanate a powerful, yet delicate presence. Their magic resides in the ethereal movement of fluid wisps of ink, forming soft arched lines and design that stands alone.
Adorn Garland Smooth Font
Adorn Garland is a script face that runs along a different, and somewhat “vintage” direction. Rather than deriving its strength from a heavy skeleton or structure, it uses its sense of contrast, its light touch upon the page, and its
Citadina Font
Citadina font family has been designed for Graviton Font Foundry by Pablo Balcells in 2016. It is a sans serif typeface with a geometrical, mechanic, neutral appearance and a slightly condensed design which makes it particularly effective for space economizing.
Garden Grown Font
Garden Grown is a lovely font duo by Cindy Kinash. This new font family includes a caps and script. The script comes with alternates and ligatures. Try Garden Grown for book covers, stationery, marketing, magazines and film. Poster art by
Wanih Font
Style is an expression of individualism mixed with charisma. And Wanih is something that will fill between. There are more than 114 glyphs in the font including Stylistic sets, Ligatures, Contextual Alternates etc. OpenType features with Stylistic Alternates, Contextual Alternate
Platinus Script Pro Font
Platinus Script Pro is the latest example of what has now become a Sudtipos tradition: Adapting conventional calligraphic methods from the last two centuries to produce modern digital scripts for the current one. This time the resulting font explores the
Semilla Font
I spend a lot of time following two obsessions: packaging and hand lettering. Alongside a few other minor obsessions, those two have been my major ones for so many years now, I’ve finally reached the point where I can actually
Panama Road Font
Panama Road is a calligraphic font style informal and casual appearance, drawn freehand with pen and then digitized for use in computers. This handwritten font contains several additional character sets for aesthetic purposes such as alternative capital letters to start
a sogra Ruth Font
Sans-serif style art deco condensed ultra high contrast between antlers and rounded at the corners. Font display to save space on long or advertising pieces which seeks a modernist style titles. The Commercial version includes: OTT & TTF font Latin-Extended
Quotes Font
“Quotes” is the second typeface calligraphed by Yani Arabena, designed along with Guille Vizzari and Ale Paul, for Sudtipos. Being thrilled by the use of the pointed brush, spontaneous messages, gesture and freshness to represent inspirational phrases and quotes written
Disoluta Font
Disoluta is a typographical experiment fusion of two sans fonts with different weights, for which I used my previous Typefaces: Tabarra Light and Black. The Commercial version includes: 2 fonts (Regular & Italic) • 437 glyphs • OTT & TTF
Lucemita Font
Lucemita is a handwritten calligraphic typeface style and casual appearance, drawn freehand with a fine pen and then digitized for use in computers. This handwritten font contains several additional character sets for aesthetic purposes such as alternative capital letters to
Brownstone Slab Font
Alejandro Paul’s Brownstone Slab is based on his own popular, award-winning, Brownstone Sans typeface. Like the original Sans, Brownstone Slab is a 21st-century design, influenced by the Victorian decorative motifs of the ironwork and carved decorations of New York City
Bellissima Script Pro Font
While in the same vein and spirit as Burgues and Compendium, Bellissima began from an entirely different thread as those fonts. It started with Alex Trochut generously showing me a gorgeous lettering book from his grandfather’s library: Bellezas de la
Blog Script Font
Technology is making it so that we’re all connected without the need for the physical-presence kind of being connected. That is strange, fascinating, and has a certain magnetism that is very difficult to resist. What’s at stake is no less
Atocha Font
It was expected that Joluvian’s third type font would be inspired by the city where he currently resides: Madrid, Spain. His previous creations had originated in Venezuela (Zulia) and The Philippines (Salamat), both, places where he had once lived. Joluvian