Tag: alternates
Necia Stencil Font
Necia Stencil font family is the stencil version of Necia font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Necia Stencil consists of 16 styles. The 8 “Stencil 1” styles contain a narrow stem
Seashore Pro Font
A feminine, graceful script whose thicker horizontals create a wave-like rhythm — hence the name. Seashore is loosely based on an “eccentric” (left-leaning) penmanship style of the late 19th century. Used mainly by professional “engrossers” in certificates and tributes, or
Tremendous Font
Strong and somewhat rough but absolutely warm-hearted, this Tremendous family is quite versatile and will find the right tone to deliver your message in a nice way. It can be friendly, it can speak out loud, it can be almost
Angel Script Font
Angel Script found its origins a few years ago when I was developing Luce. Luce utilized varying style numbers to allow you to mix/match and create different type looks. This was before OpenType had caught on and the type family
Furius Font
Furius is a display typeface inspired by the split serif style of woodcut or chiseled letters found in roman inscriptions and later popularized by the western genre in the United States. Created as a display typeface, Furius combines a host
Player Font
The Player family started as a straight-forward revival of a film face called Ivy League, an early 1970s VGC classic that was very popular with designers of sports paraphernalia. A few hundred liters of coffee later, the revival of a
Foros Font
Foros(tm) is a modern humanist sanserif font family of 8 styles. Each style contains beside many other alternatives of upper and lowercase letters a ‘unicase’ character set. Foros is a development of a modern pattern of rough geometric shapes in
Canberra FY Font
Canberra FY is a contemporary and low-contrast serif typeface that shows legibility with personality. Its asymmetric and short serifs render a versatile look, always usable and friendly. As Canberra FY is very legible with its book style in small sizes,
Ronaldson Font
The metal Ronaldson was the magnum opus of Alexander Kay, a first generation Scottish-American expert punchcutter whose résumé included clients no less historically prominent than Henry Caslon, Vincent Figgins and the Stephenson Blake company. His expertise at cutting roman faces
Filmotype Hudson Font
Released by Filmotype in 1955, Filmotype Hudson was among Filmotype’s most popular upright informal style brush scripts inspired by sign painter classic brush script styles popular in the 1950s in periodical advertisements for automotive dealerships, grocery stores and spectaculars to
Samantha Script Font
Based on pointed-pen lettering, Samantha features slightly condensed characters and a measured rhythm. It’s named after my niece who shares its optimistic style and discipline. Samantha is available in upright or italic variants, each with regular and bold weights. Samantha’s
Bassanova Font
Bassanova is a dynamic display font inspired by lettering on the “Love in the Afternoon” movie poster by Saul Bass. The font captures the minimalistic, yet very distinct look that is so typical for his designs. Bassanova offers four versions
Felt Noisy Font
Counting four variations for each letter and two for the numbers, Felt Noisy delivers a cool organic feel with a strong and spontaneous attitude. The typeface was drawn with a bad felt tip pen? and resulted in two rather nice
Business Penmanship Font
Business Penmanship is an ode to the business handwriting from the era penmanship was a highly-valued part of business education and practice. In the early 1800s, Platt Rogers Spencer (1800-1864) created what would become the most widely accepted and prized
TJ Evolette A Web Font
TJ Evolette A is unique, experimental, fashionable and clean. The geometric constructed uppercase grotesque display font family, features seven weights and offers numerous combination possibilities between the basic glyph set and the two stylistic sets. The stylistic sets are alternate
Muralista Font
This typeface is inspired by 60s and 70s Chilean murals and posters artwork. On the walls, big and heavy letterforms were presented pictorially for political propaganda. Muralista is a low contrast condensed typeface, similar to classic forms of the early
LTC Tourist Gothic Font
Tourist Gothic is a Lanston Monotype adaptation of Modern Condensed Gothic (a design from the late 1800s.) Rounded alternate caps were designed by Sol Hess in 1928. The alternate version is offered as LTC Tourist Gothic Alt. Tourist Gothic Pro
Unpack Font
Unpack is a soft and inviting face. It is available in two cuts, upright and slanted, both all-caps with 2 options for each letter for a nice uneven organic look. The family counts also with a picture font, loaded with