Tag: alternatives

Uffizi Font

In the realm of digital design, the significance of typography is often understated. The medium through which visual communication occurs, typography, wields a latent influence over perception. One such noteworthy typography that blends conventional elegance with modern design is the

Rahere Roman Font

Rahere Roman Display is an elegant design with flared stems and subtle old style features, influenced by Berthold Wolpe’s wonderful Albertus font and (to a lesser extent) fonts based on Roman square capitals. It’s a classic design for the modern

SK Synonym Grotesk Font

SK Synonym Grotesk is a geometric neo-grotesk typeface, which was developed under the influence of Swiss type design and adapt to modern realities. Its sturdy and simple structure is characterized by angular joints that accent details of the letters. The

Stereonic Font

Stereonic is a geometric display sans influenced by Art Deco style. Its 38 fonts across 5 weights offer the possibility to convey numerous moods and styles typical for different decades. As the name suggests, the music posters were considered as

Sometimes Maybe Font

Introducing Sometimes Maybe! Sometimes Maybe is a smooth bouncy hand-drawn script. It includes it’s regular, rough and italic styles, the western characters and 31 alternatives. As a bonus we have included matching decorative swashes to stir into the mix. This

Misty Font

Misty – two weight wild west style serif with numerous alternatives, swashes and irregular alternatives for numerous characters in SC style. Interchanging regular characters with alternatives and vice versa, allow you to do slightly strange inscriptions. Plus deco style. Published

Aniara Font

Aniara is a playful, happy and intergalactic font. Arriving in three different weights, Light, Regular and Bold. + the antagonist; the dark version without the space/counter. Aniara comes with laser shrinked upper case letters. It attacks with a alternative upper

Regan Slab Font

A precision cut slab serif typeface. Simple curves are combined with sharp angles to provide a readable font with subtle characteristics. Regan Slab is ideally suited to a wide range of applications including magazines, newspapers and handheld devices. Details include

Splendor Pro Font

Finally the light version of Wilhelm Berg’s hot-metal classic which had found its way from Schriftguss to Typoart can be released for nowadays use. Published by RMU TypedesignDownload Splendor Pro

Brixton Line Font

Brixton Line is a simple and effective handcrafted serif font but within a few clicks you can transform Brixton Line into a unique and creative headline/logo/design. With over 80 stylistic alternatives to choose from this font is great fun to

Regan Font

A finely crafted sans serif typeface with an uncomplicated appearance. Soft curves are mixed with minimal angles to create a readable font ideally suited for identity, editorial and online uses. Details include 10 weights with italics, 540 characters, 5 variations

Roundhand Font

Roundhand was created by Matthew Carter in 1966 on the basis of handwriting by Charles Snell, an English calligrapher of XVII-XVIII known in particular by his ‘The Pen-man’s Treasury Open’d’ written in 1694. The typeface has continuous cursive shapes with