Tag: American

Kingsrow Font

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Unofficially named No Frills in the early stages of development, his widow Elsie decided that it would be called Kingsrow. Published by Red RoosterDownload Kingsrow

Bellini Font

Designed by A. Pat Hickson, Bellini is an original design based on the typeface Progreso from the Gans foundry circa 1923. Published by Red RoosterDownload Bellini

Kingsley Font

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This beautiful recreation by Les of the Frederick Goudy typeface, Kennerley Old Style, circa 1911-24, may be superior to any other. Published by Red RoosterDownload Kingsley

Willard Sniffin Font

Designed by Willard T. Sniffin. Digitally engineered by Steve Jackaman. Based on the original Willard T. Sniffin design of 1933 for ATF, this informal brush script was known as Keynote. Published by Red RoosterDownload Willard Sniffin

Gilmore Fahrenheit Font

Gilmore Fahrenheit is an original font design by A. Pat Hickson and Steve Jackaman for the Red Rooster Collection. Published by Red RoosterDownload Gilmore Fahrenheit

Felicita Font

Felicità is based on the design of my “Ellida” font family. It was designed with “happiness” in mind. Therefore I used extremely high contrast between the down- and upstrokes, this gives the fonts a lively, happy appearance. I designed two

Exprima Font

Exprima is a very expressive script with lots of contrast. Published by Wiescher DesignDownload Exprima

Frank Woods Font

“Frank Woods” is a wooden typeface based on the form of Franklin Gothic Heavy. The three cuts fit together and enable the user to create a lot of impressive variations. The amount of points in the font make it impossible

Ela Swashes Font

“Ela Swashes” are not meant to and can not be used as a standalone typeface. Swashes are a set of many different embellished letters to be used together with Ela Demiserif fonts of corresponding weights. Published by Wiescher DesignDownload Ela

Franklin Gothic Raw Font

When drawing a new font, there is a time when the final form is found – almost – but the curves are not slick and clean yet, that’s what I call the “raw” form. Raw – no sweeteners added! In

CA Oskar Compressed Font

CA Oskar came into being as a custom typeface for the international Traumzeit music festival. As a substantial part of the new corporate identity, it had to be characteristic, but also flexible in use. Starting with the design of compressed

Morning News Font

“Morning News” is the sister font of “Evening News” which I designed some years ago for use with my local newspaper “Abendzeitung”. “Morning News” is an adaption, a little bit rounder, which gives the font a much softer touch. The

Dylan Condensed Font

Dylan is a Sans typeface in the best American tradition. In order to keep corners open and to make the font more readable in small sizes it has deep cuts where curves join straights. I designed 8 finely tuned weights

Nexstar Font

A display font in the best american tradition, made for sports, leisure, outdoors and any other occasion of elegant leisure. Published by Wiescher DesignDownload Nexstar

Metra Serif Font

“Metra” has the clarity of a classical Sans font and the charm and elegance of a Gothic Copperplate. I designed it because for some purposes one needs a Serif with that cool “Sans” look. I sell the font in 5