Tag: antique
Old Man Eloquent Font
Old Man Eloquent simulates the handwriting of John Quincy Adams, the second President of The United States, in pages of his famous diary, circa 1810. Adams kept his diary from 1779, when he was a boy, until 1848, the year
Military Scribe Font
The 10th Regiment of Foot is a British military unit raised more than three centuries ago—and perhaps most famous in the U.S. for seeing action on American soil during the Revolutionary War in the Battles of Lexington and Concord and
Terra Ignota Font
The idea for Terra Ignota came years before I actually designed it, as I was admiring a reproduction of “Amerique Septentrionale,” a 1650 map by French cartographer Nicolas Sanson, given me by my parents. The hand-lettering has a sort of
Douglass Pen Font
Douglass Pen was inspired by the handwriting of Frederick Douglass, who was born an American slave but died a distinguished 19th century statesman, orator, and abolitionist leader. He also had fine penmanship. Douglass Pen is modeled chiefly after Douglass’s handwritten
Bonnycastle Font
Sir Richard Henry Bonnycastle (1791–1847) was an English officer and military engineer who served in the War of 1812 and ultimately settled in Canada. I stumbled upon copies of some of his charts and maps and became so infatuated with
Castine Font
Castine gets its name from a small coastal Maine town with a seagoing heritage and long history. The town has an old cemetery with a few 200-plus-year-old headstones whose distinctive carved lettering inspired the typeface that shares its name. Castine’s
Attic Antique Font
Attic Antique replicates the warn, weathered text in a friend’s old copy of John Burroughs nature essays. It shares the wide spacing and ample serifs of the Century faces. Use it to represent age, to suggest photocopied archives, or to
Abigail Adams Font
“My Dearest Friend” is how she began nearly all her letters to her husband, John. I refer, of course, to Abigail Smith Adams, first Second Lady and second First Lady of the United States. Her famous correspondence with John Adams
My Dear Script Font
My Dear Script is a calligraphic style typeface designed and published by Panji Nugraha. Published by Panji NugrahaDownload My Dear Script
Bonsai Font
The name “Bonsai” seems appropriate for this font for two reasons: its source of inspiration—some top-heavy text type I found in an old handbook on bonsai from the Brooklyn Botanic Garden—and its glyphs’ resemblance, however vague, to the ancient miniature
Antiquarian Font
Antiquarian was inspired by the hand-lettered headlines and captions that appear on an original page of “Atlas Historique, ou Nouvelle Introduction a L’Histoire’—a world atlas published by Henri Abraham Chatelain between 1705 and 1732 in Amsterdam—that I picked up at
Bowline Script Font
Bowline Script is a classic monoline cursive script font. This family of 3 fonts has 2 weight options and a Vintage version. Bowline Script is inspired by classic cursive handwriting, the great thing about Bowline Script is its versatile use,
Marema Font
Marema is a retro styled font designed and published by Adam Fathony. This download includes bonus design files such as 2 bicycle vector drawings, 3 graphic styles and an ornament file, all saved in Adobe CS6 format. Published by Adam
Kinghorn 205 Font
Kinghorn 205 is an Egyptian style slab-serif. The strokes are all of a roughly equal weight for an even, geometric look. Although original Egyptian slabs date from the early 19th century, the even look gives the font a balanced, contemporary
Kenwyn Font
Kenwyn is a bold, geometric, Egyptian style slab-serif display font. It comes in two variations — Single Dot and Double Dot — each with an accompanying Stencil variation. Essentially a blend of circles and squares, Single Dot features a circular
De Arloy Font
De Arloy is a typeface design inspired by art nouveau styles that works great for packaging, labeling, logos, signage and much more. Published by Panji NugrahaDownload De Arloy
Kinghorn 105 Font
Kinghorn 105 is an Egyptian style slab-serif. The strokes are all of a roughly equal weight for an even, geometric look. Although original Egyptian slabs date from the early 19th century, the even look gives the font a balanced, contemporary
Merlo Neue Font
Merlo Neue is the younger brother of Merlo. New family received refreshed, more square proportions and a new shape of many glyphs. However, what is the most important in new Merlo, is the wide range of instances – nine new weights,