Tag: art deco
Beaumont Font
Beaumont is a modern take on classic 1920’s type, playing with stroke contrast and art deco forms. The result is a 10 font family, providing options for setting readable body copy or high impact display headings. With full multilingual character
Steadfast Font
Here is another typeface, “Steadfast”, after spending many hours on correcting the contours of this typeface, finally it is out for public release!!. It is a blend of old condensed style with modern typography. Published by Jadugar Design StudioDownload Steadfast
Manurewah Font
Manurewah is a minimal and simple bitmap style typeface designed by Jadugar Design Studio. Published by Jadugar Design StudioDownload Manurewah
Floralissimo Font
“Floralissimo” are flowery embellishments that I found in several old publishing books dating back over a hundred years. I thought they might be useful for some of you, so I digitised them. Published by Wiescher DesignDownload Floralissimo
TT Corals Font
TT Corals is a modern humanistic sans-serif which has many typical traits of the beginning of the 20th century. For an increased functionality of the font family we’ve created 6 typefaces of various weights: Thin, Light, Regular, Bold, Extrabold, Black.
Liquoia Font
“Liquoia” are three scripts with lots of contrast and different embellishments. “Liquoia-A” has the elegant, flaming decoration it blends well with “Fleurons-Six”. “Liquoia-B” has the flowery embellishments and goes very well with my Ornata-A and Ornata-B. “Liquoia-C” is the plain,
Glass Light Font
“Glass Light” was designed in 1912 by “Franz Paul Glass” for the “Genzsch & Heyse” foundry. The font is stylewise related to the “Lo types” of the same period. Glass designed a lot of decorative elements to go along with
Dylan Condensed Font
Dylan is a Sans typeface in the best American tradition. In order to keep corners open and to make the font more readable in small sizes it has deep cuts where curves join straights. I designed 8 finely tuned weights
New Yorker Plus Font
New Yorker Type was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it in, I just looked
Rotor Font
“Rotor” is a speedy font. In 1929 K. Sommer designed a typeface for Linotype called »Vulcan«, some years later they re-published the typeface and called it “Dynamo”. The early Vulcan design inspired me to do this new, faster typeface in
Floral Script Font
“Floral script” is an english copperplate script decorated with flowers and curly leaves. Published by Wiescher DesignDownload Floral Script
Penstroxx Font
“Penstroxx” is a collection of 5 fonts that are based on the powerful, expressive “Traits de plume” (pen strokes) designed in Paris around 1930 by Alfred Latour. I designed a lot of extra pen strokes to make this a full
Dylan Font
“Dylan” is a Sans typeface in the best American tradition. In order to keep corners open and to make the font more readable in small sizes it has deep cuts where curves join straights. I designed 7 finely tuned weights
Alpha Square Font
“Alpha Square” is the next font in my alpha-series, my experimental font series. The font is a wider variation of “Alpha Jazz”, it lends itself very good for all kind of modernistic occasions and for Jazz in all forms. You
Binario Font
Binario is a simple and friendly font with three weights and matching italics (obliques). It is an excellent choice for giving a clean, unique, and modern look to headlines or body text. Use it for branding, menus, posters, magazines, and
Viata Font
“VIATA” is my new experimental Sans again based on the modernistic, constructivist letterforms of the “Bauhaus” era. The names Herbert Bayer and Paul Renner come to mind as design beacons of that time. “VIATA” has flat tops and round bottoms,
Tamara Font
“Tamara” is a very open kind-of-art-deco-script based on some initials for “Semplicita” made in the 1930s by the “Nebiolo” foundry. I designed a complete set with three weights. Since I am an ardent admirer of “Tamara de Lempicka” the Polish-French
Noticia Font
“NOTICIA” is my new Sans based on the modernistic, constructivist letterforms of the “Bauhaus” era. The names Herbert Bayer and Paul Renner come to mind as design beacons of that time. “NOTICIA” is different in its proportions and long ascenders