Tag: artdeco
Sphinx Font
Designed by Steve Jackaman, Sphinx is a serif font based on the Deberny & Peignot, circa 1925. Originally, the inline was a capitals only font. Published by Red RoosterDownload Sphinx
Bodoni Condensed Black Font
Bodoni Condensed Black was designed by R.H. Middleton for Ludlow, circa 1930. Digitally engineered by Steve Jackaman. Published by Red RoosterDownload Bodoni Condensed Black
Fondue Font
Fondue: an eclectic-flavoured contemporary typeface. Designed by Jorge Alberto Martínez and Latinotype Team. Fondue is a type family of eclectic shapes, inspired by Art Deco designs, in particular, the lettering used by the Mexican cartoonist Ernesto “El Chango” Cabral on
Roller Font
Designed by A. Pat Hickson, Roller is a retro font design based on Iberica by Carlos Winkow for the Spanish foundry, Nacional, circa 1942. Published by Red RoosterDownload Roller
Glass Light Font
“Glass Light” was designed in 1912 by “Franz Paul Glass” for the “Genzsch & Heyse” foundry. The font is stylewise related to the “Lo types” of the same period. Glass designed a lot of decorative elements to go along with
Silverado Font
Designed by Steve Jackaman, Silverado is based on a classic serif type design called Eldorado. Published by Red RoosterDownload Silverado
Javelin Font
Designed by A. Pat Hickson, Javelin is a sport-like and retro font design. Published by Red RoosterDownload Javelin
Messe Grotesk Font
Designed by Paul Hickson. Based on the Albert Augspurg design, circa 1921-27. Published by Red RoosterDownload Messe Grotesk
Ultra Modern Font
Designed by Douglas C. McMurtrie and digitally engineered by Steve Jackaman, Ultra Modern is based on the original Ludlow drawings, circa 1928. Published by Red RoosterDownload Ultra Modern
Rivoli Initials Font
Designed by Paul Hickson, Rivoli Initials is a decorative font based on the William T. Sniffin design for ATF, circa 1928. Published by Red RoosterDownload Rivoli Initials
New Yorker Plus Font
New Yorker Type was one of the first typefaces I tried my hand at in 1985. I meant it as a revival of the typeface used by the New Yorker magazine. I did not scan it in, I just looked
Fleurie Font
“Fleurie” is a small town in France on the high banks of the Beaujolais-area where they make excellent, fruity wine. Fleurie means flowery and that is what that village and this font is all about. The font is a very
Alpha Jazz Font
“Alpha Jazz” is another font in my alpha-series, the experimental font series. It lents itself very good for all kind of modernistic occasions and for Jazz in all forms. You get 2 fonts (one alterrnative lowercase set) for the price
Supra Extended Font
Supra Extended – designed by Gert Wiescher in 2013 – is the extended version to this new sans typeface family of eight weights. The extended version is designed for sheer elegance and has no italics because they didn’t look nice
Aramis Font
“ARAMIS” is a new linear Sans with a French touch– designed by Gert Wiescher in 2014 and 2015 – has 7 weights with corresponding italic cuts. The small contrast in the linear Sans makes it not quite so linear and
Decour Soft Font
Decour Soft is the rounded-edged version of Decour. It is a slab serif humanist low contrast typeface. The overall design also features strong curves, making it a very friendly face. The font retains the original elegant features of Decour—based on
Sycamore Font
Designed by Les Usherwood, Sycamore was digitally engineered by Steve Jackaman. Published by Red RoosterDownload Sycamore
Michellina Font
Michellina is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Michellina