Tag: arts and crafts
Flat10 Arts & Crafts Font
This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. Use at size 10 pixels or multiples of 10 and anti-alias off is recommended. Published by Dharma TypeDownload Flat10 Arts
P22 Ridley Font
Ridley is a calligraphic-influenced, decorative, medieval font combining Roman and Gothic forms. It is named for Nicholas Ridley and similar to the P22 Latimer font. Ridley and Latimer were protestants burned together at the stake in 1555 during the reign
P22 Basel Roman Font
In mid 2001, P22 was approached by a Daniel Garrison, a Classics scholar at Northwestern University about possibly digitizing a long lost “Garamond” typeface. This font was used by Johannes Herbst (a.k.a. Ioannes Oporinus) in 1543 to publish Andreas Vesalius’
Penstroxx Font
“Penstroxx” is a collection of 5 fonts that are based on the powerful, expressive “Traits de plume” (pen strokes) designed in Paris around 1930 by Alfred Latour. I designed a lot of extra pen strokes to make this a full
Greyhound Font
Greyhound is a font design published by Fonthead. Published by Fonthead Design Inc.Download Greyhound
P22 Morris Golden Font
William Morris (1834-1896) was probably the most influential figure in the decorative arts and private press movements of the late 19th and early 20th century. In reaction to the increasing lack of quality that the industrial revolution brought on, Morris
P22 Koch Nueland Font
Neuland has been used since its introduction in 1923 as a rugged type with more black space than almost any other BOLD font. The appeal of Neuland, however, is much more than just heavy ink coverage. It has stood the
P22 Arts And Crafts Ornaments Font
Produced in association with The Burchfield-Penney Art Center (Buffalo, New York), the Arts and Crafts font set derives from Roycroft books and periodicals designed by multi-faceted artist, Dard Hunter, in the early 1900s. Arts and Crafts now includes over 50
Filmotype Homer Font
Introduced by Filmotype in the early to mid-1950s, Filmotype Homer was created in response to customer demand for a wider brush script expanding on Filmotype’s popular sign painter sho-card lettering styles used in the late 1940s through the 1950s. With
Ashemore Font
Ashemore developed as a result of my visits to Barcelona, Spain and to Germany, followed soon after by a visit to Asheville, North Carolina. Blending the styles of art and architecture from these three areas may seem initially to result
Cheltenham Font
Cheltenham is an old style serif typeface, designed in 1896 by Bertram Grosvenor Goodhue and Ingalls Kimball for use by a New York publisher, the Cheltenham Press. Six years later Morris Fuller Benton at American Type Founders (ATF) developed it
Cheltenham Old Style Font
Cheltenham is an old style serif typeface, designed in 1896 by Bertram Grosvenor Goodhue and Ingalls Kimball for use by a New York publisher, the Cheltenham Press. Six years later Morris Fuller Benton at American Type Founders (ATF) developed it
P22 Morris Troy Font
William Morris (1834-1896) was probably the most influential figure in the decorative arts and private press movements of the late 19th and early 20th century. In reaction to the increasing lack of quality that the industrial revolution brought on, Morris
P22 Yule Font
P22 Yule is a family of display fonts inspired by a mélange of ancient inscriptional writing, with visual references to Anglo-Saxon, Celtic, medieval and even a bit of ancient Greek and roman letterforms. Yule is exotic yet familiar and evocative