Tag: baroque
Bellini Font
Designed by A. Pat Hickson, Bellini is an original design based on the typeface Progreso from the Gans foundry circa 1923. Published by Red RoosterDownload Bellini
Kingsley Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This beautiful recreation by Les of the Frederick Goudy typeface, Kennerley Old Style, circa 1911-24, may be superior to any other. Published by Red RoosterDownload Kingsley
Gargoyle Font
Designed by Steve Jackaman, Gargoyle is based on the original Adrian Williams typeface design, circa 1976 and Brook Type in 1903 designed by Lucien Pissaro. Published by Red RoosterDownload Gargoyle
Chelsea Font
Designed by Les Usherwood, Chelsea is a serif design digitally engineered by Steve Jackaman. Published by Red RoosterDownload Chelsea
Raffish Font
Raffish is a display typeface with its formal base in Dutch type designer Henk Krijger’s seminal typeface Raffia – the most decorative and handsome of script typefaces. It is ornamental, baroque and relies on a triple-stroke structure that infers weight
Badger Pro Font
Badger Pro has been completely redrawn and remastered by Steve Jackaman and Ashley Muir. The new Badger Pro family has been fleshed out with a glyph set that is over 40% larger than the original release, and contains all the
Belleville FY Font
Belleville FY is an original 16 retro and modern fonts family, inspired at the same time by New art movement, graffitis, 19th century wood type, and modern slab fonts. Each style has specific shapes and serifs which give it a
Madrid Font
Designed by Steve Jackaman, Madrid is based on the typeface Nacional by Carlos Winkow from the Spanish foundry, Nacional (1941). Published by Red RoosterDownload Madrid
Copacabana Font
Copacabana is heavily based on one of my favourite typefaces Goudy Old Style Italic. It is sharper and more clearly defined than Goudy yet still retains it old style characteristics. The face is slightly angled so is basically upright whilst
Monarcha Font
Monarcha is a type family with strong influence of the baroque style, for extended texts. Its roman versions are slightly skewed, in the sense of reading, and its italics have unusual calligraphic features. Moreover, the contrast between thick and thin
Coliseum Font
Coliseum was designed by A. Pat Hickson/Julie Hopwood. An original design and release by Red Rooster. Published by Red RoosterDownload Coliseum
Braga Font
DSType proudly introduces BRAGA, an exuberant baroque typeface, named after a portuguese city, also known as the baroque capital of Portugal. Our latest typographic extravaganza comes with a multitude of fonts designed to work like layers, allowing to insert color,
Brigade Font
In searching for a Roman to use there were bits of Bembo,Times,Garamond etc., that I liked and bits that I did not. So I set out to take the best bits of all my favourite Romans and tried to create
Poor Richard Font
Designed by Paul Hickson. Based on the Keystone Type Foundry design, circa 1919. The l/c ‘g’ appears as an alternate character in our font. Published by Red RoosterDownload Poor Richard
Beckenham Font
Designed by Les Usherwood, Beckenham was digitally engineered by Steve Jackaman. The x-heights are radically different; the x-height on the light version is small, and gets larger as the weights progress. Published by Red RoosterDownload Beckenham
YWFT Herzog Font
Originally drawn in 2008 by YouWorkForThem, we revisited the Herzog drawings in 2011 and developed them into a fully functional opentype font release. YWFT Herzog comes with two style options (regular and alternate), with each style containing opentype stylistic alternates
Argus Font
Designed by Steve Jackaman, Argus is a serif design based on the popular 1968 VGC typeface. Published by Red RoosterDownload Argus
Testament Font
From the standpoint of calligraphy, a font family of capitals and uncials makes perfect sense. The Roman square capitals, the quadrata, are matched by round capitals of older Greek origin; the word “uncus” means hook-shaped like a beak or talon.