Tag: basic

Taro Font

Why do designers make more and more geometric fonts? There are already many geometric sans in the world. Because It is a natural flow of design. It is true that we like geometric type instinctively. Taro was designed to archive

Commuters Sans Font

Commuters Sans is a classic and simple geometric font design, published by Ryoichi Tsunekawa. Commuters Sans is useful for both body-text and titling by their minimal glyph shapes and slightly wide and eye-catching proportion. It consists of eight weights and

Davis Font

P22 Blox is a modular system of shapes that can build letterforms and abstract patterns. Created as a working prototype for the letterpress P22 Blox project from P22 Analog and Starshaped Press, this system of shapes presents a unique approach

Davis Sans Font

Over the past couple of decades, the many applications that joined print as media requiring design solutions have combined to necessitate a visual evolution that favours controlled optical geometry and careful counter-space consideration over ornamental features traditionally associated with print

Cerebri Sans Font

Cerebri Sans is a sans serif inspired by the early geometric and grotesque typefaces that are both functional and elegant—with humanistic features. Published by Hanken Design Co. Download Cerebri Sans

Odisseia Font

Plau presents Odisseia, a monospace type family in 8 styles designed with simplicity of shapes and a humanist touch. We’ve ventured into monospace territory, where all letters must occupy the same amount of space. This style is usually associated with

Aquawax Font

Balancing sharp angles with soft rounded shapes, AQUAWAX is a geometric sans serif typeface family evoking a contemporary sensibility of digital smoothness and liquid connections. Optimized for maximum screen readability, it covers over 40 languages that use the Latin alphabet,

Beatrix Antiqua Font

Beatrix Antiqua is a humanist sans-serif typeface designed by Francesco Canovaro. Beatrix Antiqua is part of the Beatrix Family that takes its inspiration from the classic Roman monumental capital model: its capitals are directly derived from the stone carvings in