Rhythmus Pro Font
Schelter & Giesecke’s grotesk font family, widely used for their marketing and in-house prints, now revived and extended with a Cyrillic character set and old-style numerals. Published by RMU TypedesignDownload Rhythmus Pro
Cadet is an all new, five weight, sans serif typeface family. It began as a study of the Bauhaus type styles of the 1970s, descendants of Herbert Bayer’s experimental designs of the 1920s. What I set out to achieve with
The pan-European Cera Collection is driven by pure geometry and contains the bestselling Cera, its stenciled counterpart Cera Stencil, Cera Condensed, the hand-crafted display Cera Brush and the soft Cera Round. As powerful as any other member of the collection,
Altair is a sans serif type family derived from Zetafonts’s Digitalino typeface. The original bold design by Francesco Canovaro has been expanded in a seven weights family, suitable for a wide range of design uses, from body copy to display
COCOMAT is a typeface variant from the COCO GOTHIC family of sans serif geometric typefaces. It’s inspired by the style of the twenties and the visions of italian futurists like Fortunato Depero, Giacomo Balla and Antonio Sant’Elia. It’s a typeface
Uni Neue is the whole new redesigned version (remake) of Uni Sans – one the most recognizable and signature font families of Fontfabric type foundry. From major changes like proportions, widths and thickness (weights) to the smaller details, this new
Breul Grotesk is classic and straightforward, sparing nonessential design elements that would otherwise detract from its simplicity. Inspired by Bauhaus design concepts, Breul Grotesk is a sans serif typeface that pairs artistry with innovation. Two distinct variations of the font
Stop trekking through the thick, wintery font forest, and step lightly into the fresh life of the Haboro hyper family. Though simple in nature, the Haboro hyper family provides you with a variety of options. Take, for instance, Haboro Soft,
Kampen is a minimal, modular, monospaced font. There are two variants, each available in two styles. The two variants — Block and Pixel — differ considerably in look, however the characters in both are designed using the same 7 x
Schelter & Giesecke’s grotesk font family, widely used for their marketing and in-house prints, now revived and extended with a Cyrillic character set and old-style numerals. Published by RMU TypedesignDownload Rhythmus Pro
“Ferrus” is named after the location of famous French foundry Deberny & Peignot which was at “18 Rue Ferrus, XIV Paris”. “Ferrus” is inspired by a font named “Acier” of the Twenties of last century. But “Ferrus” is not a
Quit trudging through the thick with encumbering fonts, and spring to the front of the pack with the cutting edge sans serif, Haboro Sans. With nothing to clutter up your work, your editorial designs, websites, and software will be sharp
Dylan is a Sans typeface in the best American tradition. In order to keep corners open and to make the font more readable in small sizes it has deep cuts where curves join straights. I designed 8 finely tuned weights
Dyane is based on monolinear scripts from the Bauhaus time. But it is very special for its counter strokes in the lowercase letters a, h, m and n that gives the script a very distinct rhythm. Published by Wiescher DesignDownload
“Byblos” is the name of a town in Lebanon and the name of a famous hotel in St. Tropez. Some time ago I discovered their old logo in an old french magazine, just 5 by 3 centimeters small without any
“Purissima Bold” and “Purissima Light” is the decorated extension to my “Pura” family. I only offer all 5 cuts together but for a very advantageous price.. The “Bold” and “Light” cut has no embellishments. The “A” and “B” cuts are