Tag: bauhaus
HAUS Sans Font
HAUS Sans is inspired by Bauhaus and historical grotesk typefaces of the 1930s. Available in 6 weights, from “Ultra Light” to “Extra Bold” regular and italic versions. The font includes 389 gliphs, with subscripts, superscripts, ligatures and support almost all
Newcastle Font
Newcastle gives you great opportunities for spicy typography. If you find some similarities to one of our fonts, ‘Blitzplakat’, you are right. We took it to the next level and made it even better: We extended the range of letters,
Retro Font
This all capital, slab serif typeface was inspired by elements of early 20th century Constructivist, Bauhaus, Art Deco and Streamline graphic movements. Retro Bold has a strong graphic appearance, a selection of alternative letters and is suitable for a wide
Cera CY Font
The sans-serif typeface – designed between 2013 and 2015 – is supporting pure geometry plus Cyrillic script and basic Latin letters. With over 490 glyphs per weight Cera CY cares about localized letter shapes plus ordinals and provides matching OpenType
Cera Stencil PRO Font
Cera Stencil Pro is part of the Cera Collection is driven by pure geometry and containing the bestselling Cera, its stenciled counterpart Cera Stencil and the hand-crafted display companion Cera Brush. Cera Stencil, with six weights, useful dingbats and arrows,
Cera PRO Font
Cera Pro is part of the Cera Collection driven by pure geometry and containing the bestselling Cera, its stenciled counterpart Cera Stencil and the hand-crafted display companion Cera Brush. With six weights, a clean italic – carefully slanted 10 degrees
Santino Font
Santino is a rounded monoline, post-bauhaus geometric font with smooth extremes and a touch of modern sensuality. It is named after Ariel Negro Di Lisio’s son. Published by SudtiposDownload Santino
Erbar Neo Mini Font
Erbar, designed by Jakob Erbar for Ludwig & Mayer in the early 1920s, is truly a key design from a historical viewpoint. None other than Paul Renner studied Erbar and used this knowledge in the desing of his famous Futura.
Organda Font
Organda is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Organda
Futura Font
Futura. The very name brings to mind jet-age splendor of the highest order, and indeed the text on the commemorative plaque left behind on the Moon by the Apollo 11 astronauts in July, 1969 is set in Futura. There is
Ainslie Sans Font
The original Ainslie was inspired by Mt. Ainslie and the city of Canberra’s inner suburb of the same name. Canberra is Australia’s capital–a planned city designed by American architect Walter Burley Griffin. Griffin’s style and geometric design for the city,
Simplo Soft Font
Simplo Soft is the soft companion of Simplo. In Simplo Soft, Simplo’s original sharp geometrics have been tempered by the moderate rounding of the edges of its characters — creating a softer and friendlier geometric typeface. Simplo Soft is ideal
Sayer Spiritual Font
Sayer Spiritual is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Sayer Spiritual
Transat Text Font
Transat Text is a geometric sans serif typeface, and is the more rational sibling to the unabashedly Art Deco “Transat”. Transat Text has a slightly taller x-height than its counterpart, making it easier to read at small sizes, but also
Flywheel Regular Font
Although Flywheel™ was designed in the early 90s, its design was popular in the 80s and remains popular today as an iconic look for futuristic themes: books, movies, arcade games and packaging. The design is rigid, geometric, straightforward and yes,
Simplo Font
Simplo: the ‘Italian Futura’. Simplo is a geometric sans serif typeface, built in sixteen styles. It is a tribute to the 1930s typeface Semplicità, designed by Nebiolo’s Alessandro Butti. Although many details of Simplo differ from Semplicità, it preserves the
YWFT Valley Font
YWFT Valley is a thin, lean and fashionable sans-serif, display font which takes the notion of ball and stick form quite literally. The pattern of dots plays between letters adding to the rhythmic pacing when typeset. YWFT Valley pays homage