Tag: bauhaus  

Noyh Font - Image 1

Noyh  Font

With an extensive research on Geometric Sans Serif of the 90’s to 00’s we’ve created a different design of the typeface that increase its application and is fully supported on devices. Noyh is suitable for headline and body text  alike,

Halcom Font - Image 2

Halcom  Font

A modern sans serif typeface inspired by the historic geometric’s of the 1920’s, specifically Futura. The design is not a simple pastiche of what went before this is much more than that. It is a close investigation to how  Futura

Les Tres Font - Image 4

Les Tres  Font

German designer Claudia Kipp has stated that she sees design as a “necessity to improve and enrich the visual world,” and her modern and clean sans typeface Les Tres certainly does its share. Working with great efficiency and great impact,

HAUS Sans Font - Image 5

HAUS Sans  Font

HAUS Sans is inspired by Bauhaus and historical grotesk typefaces of the 1930s. Available in 6 weights, from “Ultra Light” to “Extra Bold” regular and italic versions. The font includes 389 gliphs, with subscripts, superscripts, ligatures and support almost  all

Newcastle Font - Image 6

Newcastle  Font

Newcastle gives you great opportunities for spicy typography. If you find some similarities to one of our fonts, ‘Blitzplakat’, you are right. We took it to the next level and made it even better: We extended the range of letters,

Retro Font - Image 7

Retro  Font

This all capital, slab serif typeface was inspired by elements of early 20th century Constructivist, Bauhaus, Art Deco and Streamline graphic movements. Retro Bold has a strong graphic appearance, a selection of alternative letters and is suitable for a  wide

Cera CY Font - Image 8

Cera CY  Font

The sans-serif typeface – designed between 2013 and 2015 – is supporting pure geometry plus Cyrillic script and basic Latin letters. With over 490 glyphs per weight Cera CY cares about localized letter shapes plus ordinals and provides matching OpenType

Cera Stencil PRO Font - Image 9

Cera Stencil PRO  Font

Cera Stencil Pro is part of the Cera Collection is driven by pure geometry and containing the bestselling Cera, its stenciled counterpart Cera Stencil and the hand-crafted display companion Cera Brush. Cera Stencil, with six weights, useful dingbats and arrows,

Cera PRO Font - Image 10

Cera PRO  Font

Cera Pro is part of the Cera Collection driven by pure geometry and containing the bestselling Cera, its stenciled counterpart Cera Stencil and the hand-crafted display companion Cera Brush. With six weights, a clean italic – carefully slanted 10 degrees

Santino Font - Image 11

Santino  Font

Santino is a rounded monoline, post-bauhaus geometric font with smooth extremes and a touch of modern sensuality. It is named after Ariel Negro Di Lisio’s son. Published by SudtiposDownload Santino

Erbar Neo Mini Font - Image 12

Erbar Neo Mini  Font

Erbar, designed by Jakob Erbar for Ludwig & Mayer in the early 1920s, is truly a key design from a historical viewpoint. None other than Paul Renner studied Erbar and used this knowledge in the desing of his famous Futura.

Organda Font - Image 13

Organda  Font

Organda is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Organda

Futura Font - Image 15

Futura  Font

Futura. The very name brings to mind jet-age splendor of the highest order, and indeed the text on the commemorative plaque left behind on the Moon by the Apollo 11 astronauts in July, 1969 is set in Futura. There  is

Ainslie Sans Font - Image 16

Ainslie Sans  Font

The original Ainslie was inspired by Mt. Ainslie and the city of Canberra’s inner suburb of the same name. Canberra is Australia’s capital–a planned city designed by American architect Walter Burley Griffin. Griffin’s style and geometric design for the  city,