Tag: book
Bodoni Condensed Black Font
Bodoni Condensed Black was designed by R.H. Middleton for Ludlow, circa 1930. Digitally engineered by Steve Jackaman. Published by Red RoosterDownload Bodoni Condensed Black
Stanhope Font
Designed by Les Usherwood. Digitally engineered by Paul Hickson. Les based the design on a turn-of-the-century typeface of the same name. The foundry is believed to be Soldans & Payvers, circa 1904. Published by Red RoosterDownload Stanhope
Dundee Font
Designed by A. Pat Hickson, Dundee is a new design inspired by the various mastheads used in children’s comic books in England, published by D.C. Thompson of Dundee, Scotland. Published by Red RoosterDownload Dundee
Artigua Font
High contrast, sharp endings and geometrical shapes – these are the main features of Artigua. The relation of vertical and horizontal lines reduces with weight – this makes regular weight appropriate for longer texts and black ideal weight for headings.
Administer Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. A few weights were originally released by another foundry; but this complete version of the family is a better match to Les original drawings! Published by Red RoosterDownload Administer
Veronese Font
Designed by Steve Jackaman, Veronese is based on the early original Monotype design, you can definitely see the influence of Italian Old Style, Jenson and Morris Golden Type. Published by Red RoosterDownload Veronese
Silverado Font
Designed by Steve Jackaman, Silverado is based on a classic serif type design called Eldorado. Published by Red RoosterDownload Silverado
Leighton Font
Designed by Paul Hickson, Leighton is a clean serif based on Lectura, a design by Dick Dooijes of the Amsterdam Foundry (1966). Published by Red RoosterDownload Leighton
SmytheSans Pro Font
SmytheSans Pro is a contemporary workhorse sans serif family that is eminently readable on-screen and in print. It is an updated version of our popular family Smythe Sans—we extended the characters sets, redrew most of the characters, rigorously spaced and
Wurlitzer Pro Font
Designed by Steve Jackaman & Ashley Muir. This design was inspired by an early 20th century woodtype. Wurlitzer contains all the high-end features expected in a quality OpenType Pro font. Published by Red RoosterDownload Wurlitzer Pro
Cosmic Rays Font
Floating on photons, waving wings of pure energy, tail cocked to spear spacemen. The most alluring of all celestial fauna, Cosmic Rays navigate space by swimming through pure ether–familiar in their motion and form to their water-bound cousins. Published by
Austral Slab Font
Austral Slab is a hand-drawn layered font designed by Antipixel, with unique textures & styles that combine giving your work a distinctive impression. This font comes in three weights, Regular, Light & Thin, with irregular outlines and uneven/crooked strokes, giving
CA Oskar Compressed Font
CA Oskar came into being as a custom typeface for the international Traumzeit music festival. As a substantial part of the new corporate identity, it had to be characteristic, but also flexible in use. Starting with the design of compressed
Bad Habits Font
Brother Radolf the Penitent enjoyed a peaceful life of prayer and penance… Until marauding heathens sacked his abbey and burned it to the ground. Now, there’s no more Mr. Nice Monk–he’s out to lash the unfaithful, wearing his Bad Habits.
Latina Font
Latina is our first humanist typeface designed for use in continuous text. This font is based on calligraphy, but calligraphic features have been changed in order to make Latina a more neutral font. This prevents readers from losing their focus
Canilari Font
Canilari is a post-modern type family inspired by contemporary serif typefaces. Its intense and consistent personality makes it a functional font for a wide range of uses: from continuous text in the most challenging environments to pithy, high-impact headlines. The
Edito Font
“Edito” is a completely new body copy-font. The special thing about this font is, that all serifs have the same height. So no matter if you take the thinnest cut (A) or the fattest (F), you will always have aligning