Tag: books  

Eldwin Font - Image 2

Eldwin  Font

Eldwin is a spirited connected script type family with a friendly demeanor. With two styles of script and capitals designed to complement the other, they combine playfulness with functionality which allows it to perform best in display and headline situations

Carlsbad Font - Image 3

Carlsbad  Font

The Carlsbad font family is a bringing together of Regina Cursiv and Hansa Cursiv which bothhad been released by H. Berthold Messinglinienfabrik und Schriftgiesserei around 1895.Both these beautiful Art Nouveau italic fonts come with the following swash alternatives: D,  E,

Gmuender Kanzlei Font - Image 4

Gmuender Kanzlei  Font

Inspired by some handwritten letter forms, the drawings and designs finally became an entire font. It is an ideal companion to create diplomas, certificates and any other vintage projects. Take advantage of the long s which can be reached  when

Sonny Gothic Font - Image 6

Sonny Gothic  Font

Sonny Gothic is our most rational-geometric typefamily until so far. It’s inspired by the geometric style of the 70s, specifically by Herb Lubalin’s work. Since we were students, we have been gazing Lubalin’s logos, typefaces and magazines as inspiration  that

Ramolina Font - Image 7

Ramolina  Font

Ramolina is a script font design published by Megatype Published by MegatypeDownload Ramolina

Pentay Slab Font - Image 8

Pentay Slab  Font

Pentay is a slab-serif type family with 10 styles designed especially for editorial design and publications in general. The proportions of the font as well as the metrics and the kerning have been carefully calculated to obtain maximum readability.  The

Aldo Manuzio Font - Image 9

Aldo Manuzio  Font

This 1897 Schelter & Giesecke in-house design was carefully redrawn, extended and redesigned for modern usage. It is a remarkable font for book covers, film and video titles, ads and much more. Published by RMU TypedesignDownload Aldo Manuzio

Fibra One Font - Image 10

Fibra One  Font

Fibra One looks like a “soft” version of the Fibra font, but it is actually more than that—the second part of its name suggests that it is a reinterpretation of the original typeface. While this new version maintains the overall

RMU Narziss Font - Image 11

RMU Narziss  Font

In 1921 the Klingspor foundry released Walter Tiemann’s‚ Narziss‘. This beautiful and elegant font was completely redrawn and redesigned and extended to cover major European languagesEast and West.The font contains also a ‚long s‘ and related useful ligatures which  can

Pentay Sans Font - Image 12

Pentay Sans  Font

Pentay is a sans-serif type family with 10 styles designed especially for editorial design and publications in general. The proportions of the font as well as the metrics and the kerning have been carefully calculated to obtain maximum readability.  The

Leftover Crayon Font - Image 13

Leftover Crayon  Font

My kids have a tin box filled with crayon and pencil leftovers: bits and pieces that have fallen or broken off, but are still good enough to use. For me it is a treasure trove, as I often find  a

Fuse V.2 Font - Image 15

Fuse V.2  Font

Fuse Vol 2 is an extension to our popular Fuse type family. All of the corners of the typeface’s character are rounded, making Fuse Vol 2 friendlier and more amiable variant of the original Fuse. Designed with powerful OpenType features

Nutmeg Font - Image 16

Nutmeg  Font

Nutmeg is a geometric typeface with a slight flavored touch. Although its structure is stick to the traditional forms, its details transform this typeface in a boldly project that separates it from other geometric fonts. Nutmeg’s texture can be perceived

Parler Fraktur Font - Image 18

Parler Fraktur  Font

Parler Gotisch has got a companion – Parler Fraktur. Friedrich Poppl’s beautiful and harmonious blackletter font was completely redrawn and redesigned for modern use. The font contains also a ‚long s‘ which can be reached either by the OpenType feature