Tag: brush
Fatta Font
Huge, bold and friendly. With original fat curves & paintbrush terminals. Fatta is Miguel Hernandez font, an ultra black humanist sans. It has three variants: Regular, Italic & Italic Swash, which allow the user to compose display text in a
Breezy Font
“Breezy” is a brush script with very expressive strokes and surprising connections. “Breezy” is a great script if you really want to have that crude, rough feeling. Published by Wiescher DesignDownload Breezy
Diaryclouds Font
Diaryclouds is a type design by The Brosnes Design Co. that contains 2 hand drawn-styled fonts. This family contains a full set of capital and lowercase letters, as well as multi-lingual support, currency figures, numerals, punctuation & some extra glyphs.
Neue Kurier Font
Typoart’s popular script font in a new, completely remastered version. Published by RMU TypedesignDownload Neue Kurier
Feast Font
Feast is a calligraphy style font designed by Alissa Mazzenga. Her hand-sculpted letterforms emanate a powerful, yet delicate presence. Their magic resides in the ethereal movement of fluid wisps of ink, forming soft arched lines and design that stands alone.
Winter Mix Blizzard Font
Winter Mix Blizzard is the full set of distressed versions of the following fonts (Icing, Frosted) Published by Great Lakes LetteringDownload Winter Mix Blizzard
Helsing Font
Helsing is a serif style font inspired by Bram Stoker’s 1897 Dracula as well as Edward Gorey’s rendition of the story. Helsing is characterized by his slighting skewed baseline, subtle texture, thick and thin contrasts, and decorative legs. Made as
Black Diamond Font
Black Diamond isn’t your average brush font, it’s raw, gutsy & bursting with attitude! Hand-painted with extra attention to quick-strokes and dry textures, Black Diamond is guaranteed to deliver a loud, proud & carefree message – ideal for logos, handwritten
Sherlock Font
Sherlock is a very mysterious script, always on the lookout for the killer-design-project. It is a joining- or not-joining-script, whatever you want it to be. The pro-version sports 807 glyphs with language support for all European languages and some –
Vividangelo Font
Vividangelo is designed after the handwriting of a real person. I saw it on the pricetags in a small shop and convinced the person to have her handwriting converted into a font. She is very happy about it now, so
Adorn Garland Smooth Font
Adorn Garland is a script face that runs along a different, and somewhat “vintage” direction. Rather than deriving its strength from a heavy skeleton or structure, it uses its sense of contrast, its light touch upon the page, and its
Marmelade Font
“Marmelade” is a useful script, always ready to adorn that latest jam-jelly-confiture-marmelade project. It is a joining-script, or a script with printed small caps, whatever you like. Marmelade comes in two different scripts “Basic” and “Plus”, and one “Print” set
Handelson Font
Handelson is a collection of 6 handmade typefaces with authentic and organic feel. It contains three scripts, one non-connected script and two all caps geometric sans serifs (Block letters). Textures and rough edges are emulating handwritten and printed looks. By
Quotes Font
“Quotes” is the second typeface calligraphed by Yani Arabena, designed along with Guille Vizzari and Ale Paul, for Sudtipos. Being thrilled by the use of the pointed brush, spontaneous messages, gesture and freshness to represent inspirational phrases and quotes written
Merengue Script Font
Merengue Script is the second typeface designed by Panco, once again together with Ale Paul, who supervised the whole development. In this opportunity, the process of shape research and the systematization of signs led him to dive into new waters.
Salamat Font
Since the release of his first typeface, Zulia Pro, Joluvian has spent his time dedicatedly experimenting with an array of calligraphic styles and typography, before starting on his second typeface, Salamat. The journey began on a trip to Asia, where
Blog Script Font
Technology is making it so that we’re all connected without the need for the physical-presence kind of being connected. That is strange, fascinating, and has a certain magnetism that is very difficult to resist. What’s at stake is no less