Tag: casual

Plz Script Font

Plz Script is a very popular Outside the Line font. It is a warm and friendly script font that can be used as body copy or for headlines. Great with Architectural Lettering or Plz Print. Published by Outside The LineDownload

Follies Font

This striking 1940’s-style sans serif typeface has a unique inline feature and is excellent for application where a strong graphic headline is required. Beautifully designed by British lettering designer Alan Meeks. Published by LetrasetDownload Follies

Becka Script Font

A wide casual typeface based on a refined brush stroke style makes this font suitable for a wide variety of large display work. For maximum visual impact, Becka Script should be closely letter and word spaced. Created by talented British

Pipa Font

Originally made for a health food store chain we cannot name, Pipa is the embodiment of organic display typography. Although it draws inspiration from some cold type ideas, like the uncredited Atlantis from VGC and a couple of older photo-lettering

Aquitaine Initials Font

These beautifully designed initials were created by talented American designer Steven Albert. Aquitaine looks best when the more straightforward characters are used to set words and the decorative alternatives are used to provide exciting initialling complements. A unique style with

Adios Script Font

Romantic, decorative Adios Script is one of Alejandro Paul s most elaborate and technically refined faces to date. Inspired by designs in how to commercial lettering guides of the 1940s, it has been refined and brought into the 21st century

Delight Script Font

Delight Script is a fresh and original Angel Koziupa design that takes its cue from post-WWII advertising scripts. Casual, bouncy and playful, this upright script is built and engineered by Alejandro Paul with tons of alternates that can make every

P22 Platten Neu Font

The P22 Platten font family has been revisited and expanded by designer Colin Kahn. Platten is based on lettering found in German fountain pen practice books from the 1920s (you may have seen the similar Speedball books in the US).

Coptek Font

Coptek derives its name from the high-tech, computer-generated look based on the traditional lines of a copperplate script. Once again David Quay has succeeded in making a difficult design objective work to good effect. The capitals are initials which provide

Viento Font

Viento is the evolution, devolution and revolution of the classic Brisa font. Drawn in a rough way for quick times in a fast culture, this font is a top-of-the-range option for casual text, invites, recipes, menus and of course, packaging

Marvin Font

The objective of this font was to try and find out how far back in the designer’s life this obsession with letters began. The challenge was to draw, from memory only, two sets of caps that recall older Looney Tunes

Bronx Font

A contemporary, highly stylized script style that captures the effect of a quickly rendered brush letter. The capitals are intended only for initialling purposes, but may be joined with the lower case letters, which can also be linked together. Bronx

Sofya Font

Sofya is funny script font based on the logo which we did. It will look great on the package, restaurant menus, logos and magazine headlines. A large number of ligatures help you vary your design. Published by GaslightDownload Sofya

Filmotype Leader Font

Introduced by Filmotype in the early 1950s, Filmotype Leader was inspired by speedy sho-card bold lettering styles prominently featured in automotive advertising and editorial designs of the late 1940s and early 1950s to express speed and urgency. Remastered and expanded

Kiddy Font

Kiddy is simple and slightly rough on one side and light and funny on other side. Kiddy have two set initials (realised as Contextual and Titling Alternates) and numerous decorative elements. Published by GaslightDownload Kiddy

Chipper Font

If a style bubbling with innocent mischief is what you’re after, this one will delight you! Chipper looks as though it was created by a child’s slightly shaky hand, but the even color of the line weights reveals a professional,

Prague Font

Prague is a strong, angular Roman typeface with classical overtones. It is suitable for use across a wide spectrum of advertising work requiring a traditional or classical approach. The exciting vibrancy of this typeface typifies Type Designer Michael Gills’ work,