Tag: chic
Sybarite Font
Sybarite is a fat face that works at any size. Capitals with sweeping curves and sharp unbracketed serifs command attention while charming minuscules expose the amiable side of its demeanor. Sybarite is James Puckett’s revival of the fat face type
Kyrial Sans Pro Font
Designed in 2011 by Olivier Gourvat, this font family has generous proportions with a range of weights make it a versatile family for print and web design work. Kyrial Display Pro is also a pratical typographic choice to express strength,
Sinffonia Font
Sinffonia is a beautiful ornamental font family. Its thin weight and roman style makes very elegant and ideal for any high quality project. Published by Corradine FontsDownload Sinffonia
Pontiac Inline Font
Pontiac Inline is a layered Art Deco font designed by Fanny Coulez and Julien Saurin in Paris. This finely balanced inline font can be enhanced to improve your designs and bring an unusual and modern feeling. You could change the
Phoenix Pro Font
Designed by Steve Jackaman and Ashley Muir. The original Phenix typeface was produced in 1935 by Morris Fuller Benton for ATF. Utilizing the original proofs, we have added three additional complementary weights with all the alternate glyphs. Our Phoenix Pro
Maisy Font
A chic and simple geometric hand font. Maisy comes with a set of icons and is perfect for fashion, marketing, books, websites, magazines, film and television. Maisy comes in two font styles (basic/wide) and four weights (light/regular/bold/black). Published by Cultivated
Ratio Modern Font
Designed in 1923 by Friedrich Kleukens for the Stempel foundry, Ratio was one of the first metal faces to bring the Didone genre to the forefront of industrial mass publishing as a headline and magazine face. Though essentially modern in
Tres Tres Chic Font
First partnership between Firmorama com & dooType studios, Très Très Chic is a display font, developed to be versatile and illustrative, with strong features that provide personality to the drawing The characters were built based in primary geometric forms and
Kyrial Display Pro Font
Designed in 2011 by Olivier Gourvat, this font family has generous proportions with a range of weights make it a versatile family for print and web design work. Kyrial Display Pro is also a pratical typographic choice to express strength,
Encorpada Pro Font
With seven weights and a lot of curves. Freely inspired by the didones shapes, Encorpada Pro now have a extended character set with more than 40 languages supported, Opentype Features and Amazing Swashes in Italic Version. Enjoy It. Published by
Megaphone Font
Designed by Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood’s ‘Elston’ typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). The new design
Didot Display Font
In spite of its name, this font family embodies the ultimate classic modern advertising typeface, rather than concern itself with revivalism or Didone authenticity. Naturally the spirit of the original Didot faces still exists in this family, but over twelve
Port Vintage Font
Port Vintage is a new typeface expanded upon the original Port typeface, released in 2013, and being an experimental Didone typeface with a modern twist, inspired by the well known forms of typography masters such as Bodoni and Didot and
Monte Cristo Font
Monte Cristo picks up where Libertine left off, then makes a great leap forward to attain its luxuriously seductive personality. With a minimum of 4 variations on the uppercase letters, and up to 38 variations on the lowercase, the application
Ronsard Crystal Font
Designed by Steve Jackaman and Ashley Muir. The original Ronsard Crystal began its life as a single-weight photolettering font in the 1950s. We lliked it so much, that we decided to design four traditional weights to go with the original
Didot Headline Font
In spite of its name, this font family embodies the ultimate classic modern advertising typeface, rather than concern itself with revivalism or Didone authenticity. Naturally the spirit of the original Didot faces still exists in this family, but over twelve
Adios Script Font
Romantic, decorative Adios Script is one of Alejandro Paul s most elaborate and technically refined faces to date. Inspired by designs in how to commercial lettering guides of the 1940s, it has been refined and brought into the 21st century