Tag: classic

YWFT Motown Font

YWFT Motown is a geometric slab serif that contains a total of 5 weights. Although it was intended to be used as a display face, YWFT Motown’s heavier weights can be used effectively for text as well. The angled crossbars

Pona Font

Pona is a classic serif typeface family. It is an interpretation of some of the most well-known serif fonts, including Times, Georgia, Goudy, and Garamond. It offers delicate letterforms with a large x-height and moderate contrast that is also useful

Mary Todd Font

MaryTodd was created for small texts with a variety of hierarchies. Is condensed to save space. It has a rich set of glyphs: small caps, old style figures, monospaced numbers, numerators and denominators for fractions, etc. It is ideal for

LTC Bodoni Bold Font

Bodoni Bold was drawn by London based type designer Dave Farey for Lanston Type during one of his alter-ego bouts as Giambattista Bodoni in the early 1990s. This font presents the unusual opportunity to use a Bodoni as body copy.

Bourbon Font

Like a brother to Gin, Bourbon is a condensed display typeface inspired by the likes of whiskey bottles and vintage serifs. It enjoys long walks with subtle, distressed textures or a nice, good-ole script. Bourbon Rough works great in larger

Merel Font

Merel is a modern geometric typeface with humanist attributes. Geometry and logic are at the heart of this 6 weight font family. Humanist touches give it a number of distinctive characteristics, as well as aid legibility. Despite being rational and

Gibbs Font

Gibbs is a tough, sophisticated sans, named for prolific maritime architect William Francis Gibbs and inspired by his greatest design, the record-breaking mid-century luxury liner SS United States. Taking various cues from the unique cast aluminum signs found on board,

Gaulois Font

A couple of years before the second World War, Marcel Jacno, the popular French graphic designer who in the 1930s designed iconic posters for Gaumont and Paramount and famously illustrated the Gaulish helmet that first adorned the Gauloises cigarette packs

King Bloser Font

King Bloser Is a calligraphic font family inspired by Masters of Penmanship. The name King Bloser is a homage to penman E.W. Bloser from the 18th century; While the typeface has nothing from Bloser’s work, he was one of the

VIP Font

VIP is a humanist sans serif uppercase and figures combined with a freshly redrawn revival of the classic Constanze initials originally designed by Joachim Romann for Stempel in 1956. As well as a vehicle to revive the Constanze initials, VIP

FurachTypeface Font

Furach is a typeface inspired from graphics and vintage posters, that is done entirely by hand, made with a simple style, classic look, elegant and natural. The Furach typeface includes a full set of capital and lowercase letters as well

Apud Font

Apud, a typeface with narrow proportions, interchangeable weights that avoid text warping, sharp serifs and square terminals. The clean, contemporary look and rigid structure makes Apud suited for any kind of publication design. Published by DSTypeDownload Apud

Almibar Font

Almibar is a delicate and very elegant connected script font. Its classic style is perfect to be applied in any type of formal pieces such invitations, labels and menus. Published by Corradine FontsDownload Almibar

Telemaque FY Font

Télémaque FY is a contemporary didone style typeface with a lot of personality. Both rigid and elegant with its modern sharped terminals and its generous curves, this 4 weights font family will be for sure your new typographic companion for

Steinburg Modern Font

Steinburg Modern™ is largely a variation on a Garamond-styled typeface with differences in some character designs and in the overall character proportions. In addition, the curved brackets that were a distinctive part of Garamond’s 16th century design are perhaps the

Aries Ranging Figs Font

In 1995, FontHaus came upon a rare opportunity to create a revival of Aries, a little known and previously unavailable typeface designed by the legendary Eric Gill in 1931. Discovering a lost typeface by one of the major designers of

Mr Darcy Font

The elegant and very graceful Mr. Darcy is sufficiently compete with its additional characters–to be stated more precisely, over 136 defining alternates. These optional features are carefully displayed within the supplied brochure. The employ of the Mr. Darcy family moreover