Tag: classic
Alternate Gothic Font
Alternate Gothic was designed in 1903 by Morris Fuller Benton for American Type Founders (ATF). The idea was to provide several alternate widths of one design, namely Alternate Gothic No. 1, No. 2 and No. 3, to be more flexible
Sentico Sans DT Condensed Font
Sentico Sans DT Condensed is a sans-serif font design, published by DTP Types Limited. Published by DTP Types LimitedDownload Sentico Sans DT Condensed
Pona Display Font
The Pona family of lush curves is completed with the Display version in which letters shine with splendor. Pona Display is an elegant typeface with stunning bodies of remarkable contrast and sophisticated forms. Published by Tipografies Download Pona Display
Crique Grotesk Font
The Crique Grotesk This contemporary typeface is inspired from Neo-humanist and Geomatric industrial tone presented the late 2000s typeface. The font family is also composed of the normal width and display width in order to support the different applications on the delicate
Didoni Font
Designed by Phil Martin in 1969, Didoni is a serif font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Didoni
Achille II FY Font
More than one year after the release of our first font Achille FY, we are proud to introduce Achille II, an enhanced version of the original one with two more weights. This Slab serif typeface is characterized by its curved
Roselina Font
Roselina Script is a contemporary calligraphy, with a vintage feel, style calligraphy with moving baseline and elegant touch. features 417+ glyphs and 183 alternate character. appearance initial letter and terminal letters, can be adjusted by using the glyph palette. alternately
Elisar DT Font
Elisar DT Condensed is a sans-serif font design, published by DTP Types Limited. Published by DTP Types LimitedDownload Elisar DT
Anti Romantic Font
Anti-Romantic is a romantic, circus, grunge ornamental font family! It is based on the 1800’s Wood Type fonts and it comes with 4 typeface styles: Anti-Romantic Regular, Small Caps, Displaced and X. Published by Misprinted TypeDownload Anti Romantic
Paradigm Font
Originally released in 1995 as a three font family, Paradigm forcefully addressed the emaciating effect that digitization was then exerting upon traditional serifed typography. Investigating the new media of a much previous era, Nick Shinn deconstructed the first roman type,
Vladimir Script Font
Designed by Andrich Vladimir, Vladimir Script is a script font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Vladimir Script
Rilke Font
An adaptation of the lettering of Gustav Klimt on his poster for the 1st Vienna Secession exhibition in 1898. It is named for the poet Rainer Maria Rilke, a contemporary of Klimt’s. Its subtle curving strokes and the idiosyncratic set
Corpo Serif Font
Corpo Serif is a refreshed version of my old font Korpo Serif. Corpo Serif, designed by Mateusz Machalski, is a serif type family with a friendly feel. This type comprises 12 variants with 6 weights.The high contrast and high x
Fredericka Font
Fredericka recalls my college days of nights spent creating handdrawn presentation boards, architectural sketches and student union posters. She’s fun, she’s casual, she’s preppy, she’s classic, she’s the Greatest! The Pro version has been expanded and enhanced with more characters,
Canberra FY Font
Canberra FY is a contemporary and low-contrast serif typeface that shows legibility with personality. Its asymmetric and short serifs render a versatile look, always usable and friendly. As Canberra FY is very legible with its book style in small sizes,
P22 Late November Pro Font
Late November is a transitional Antiqua-inspired type design. From the designer: “I started working with the design one dark, late November night, two years ago. After two years of work, I felt I had to draw the line and consider
Acta Poster Font
First designed for chilean newspaper La Tercera in 2010, Acta family is a clean and fresh type system, while enough conservative for newspaper setting. The complete Acta Type System contains Acta and Acta Display both with six weights with matching
Ratio Modern Font
Designed in 1923 by Friedrich Kleukens for the Stempel foundry, Ratio was one of the first metal faces to bring the Didone genre to the forefront of industrial mass publishing as a headline and magazine face. Though essentially modern in