Tag: classic

P22 Bauhaus Set Font

This font set includes three type faces designed by Herbert Bayer, including the famous “Universal” font most commonly associated with the Bauhaus school. A collection of 72 graphic elements inspired by various Bauhaus works rounds out this collection. This set

Aston Font

Aston is a fantastic serif display typeface which is applicable for any type of graphic design – web, logo, print, motion graphics, etc. This font is unique and fresh with it`s creatively implemented organic elements. Published by FontfabricDownload Aston

YWFT HLLVTKA Font

With great pride, we present this hand-drawn alphabet in both upper and lower case, derived from the beloved standard of all existing things: Helvetica. Originally hand drawn in 2007 by YouWorkForThem, we revisited these drawings in 2010 and developed them

Talbot Font

Talbot is a connecting script with influence of car logo design. Works great in retro styled projects. Published by Suomi Type FoundryDownload Talbot

Azo Sans Uber Font

Azo Sans Uber is the heavy headline version of Azo Sans. It explores the maximum weight possible in Azo's uppercases, without dismissing their geometrical appearance. For more personality, Azo Sans Uber has all the optical adjustments present in the original

P22 Eaglefeather Family Font

The fonts contained in this collection are a tribute to Frank Lloyd Wright, arguably the greatest architectural genius of his time. Wright produced a vast body of work that defined and redefined American architecture. His talent extended into the creation

Castle Font

Castle is a unique and creative font release by the German type foundry, URW. Designed by URW Studio in 1985. Published by URW Type Foundry GmbHDownload Castle

Kumlien Pro Font

Kumlien Pro is the revival and expansion of a typeface designed in 1943 by Akke Kumlien, the famed Swedish book designer, poet, author, painter and arts materials expert. At the time, being the first major Swedish typeface to be designed

Vivaldi Font

Designed by Fritz Peters in 1970, Vivaldi is an old style, script font design. Vivaldi works great in formal typesetting such as invite and holiday themed design work. Published by URW Type Foundry GmbHDownload Vivaldi

Thorowgood Font

Designed by Robert Thorne in 1809, Thorowgood is an elegant and powerful serif type design. Published by URW Type Foundry GmbHDownload Thorowgood

Corporate S Font

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua), Corporte S (Sans Serif), and Corporate E (Egyptian) is a

Windsor Font

Designed by Stephenson Blake in 1903, Windsor is a multi weight serif family released by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Windsor

Goudy Old Style DT Font

Goudy Old Style DT is a serif font design, published by DTP Types Limited. Published by DTP Types LimitedDownload Goudy Old Style DT

Cotillion Pro Font

Cotillion is an original design Jim Rimmer finished just before the turn of the century. Alongside its evidence of Jim's nostalgia at the deco type designs he was exposed to as a child, it distinctly shows a type designer who

Lupo Font

Font Lupo is the younger brother of Kapra. However, unlike Kapra it is characterized by the sharpness of the finish. It is inspired by a You And Me Monthly published by National Magazines Publisher RSW „Prasa” that appeared from Mai

Bell Font

Designed by Richard Austin in 1788, Bell is a serif font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Bell

Serifa Font

Serifa is a slab-serif design originally designed by Adrian Frutiger in 1967. In this modern revival, URW brings the best version available by offering an extensive 16 weight family, including one amazing stencil option. Published by URW Type Foundry GmbHDownload

LTC Goudy Sans Font

Goudy Sans Bold was originally designed by Fredric Goudy in 1922 as a less formal “gothic” and finished in 1929. The light was designed in 1930 and the Light Italic in 1931. Alternate letterforms are included in these three Goudy