Tag: classic

Baskerville No. 2 Font

Baskerville No. 2 is a classic and elegant serif font, originally designed by URW Studio in 1980. Baskerville No. 2 contains West, East, Turkish, Baltic, Romanian language support. Published by URW Type Foundry GmbHDownload Baskerville No. 2

Peignot Font

Peignot was designed by Adolphe Mouron Cassandre and Charles Peignot in 1936. Peignot is a classic type design that is well known for its avante garde lowercase letters. Great from retro and fashion themed projects. Published by URW Type Foundry

Americana Font

Designed by Richard Isbell in 1965, Americana is a Serif (Antiqua) / Glyphic font release by URW. Published by URW Type Foundry GmbHDownload Americana

Delargo DT Condensed Font

Delargo DT Condensed is a sans-serif font design, published by DTP Types Limited. Published by DTP Types LimitedDownload Delargo DT Condensed

Garamond 96 DT Pro Font

Garamond 96 DT Pro is a sans-serif font design, published by DTP Types Limited. Published by DTP Types LimitedDownload Garamond 96 DT Pro

Delphin No 2 Font

Designed by Georg Trump in 1951, Delphin No 2 is a classic serif font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Delphin No 2

Aster Font

Aster was designed in 1958 by Italienne designer Francesco Simoncini, the founder of the Simoncini type foundry in Bologna, Italy. It is a text typeface designed for use in newspapers and books. Aster has short ascenders and descenders, and although

Kunstlerschreibschrift Font

Kunstlerschreibschrift is a classic script font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Kunstlerschreibschrift

P22 Foxtrot Font

The design of P22 Foxtrot is inspired by the lively ballroom dance of the same name. Foxtrot is a transitional antiqua with rounded serifs that features ligatures, small caps, old style numbers and full Central European support for those with

Prague Font

Prague is a strong, angular Roman typeface with classical overtones. It is suitable for use across a wide spectrum of advertising work requiring a traditional or classical approach. The exciting vibrancy of this typeface typifies Type Designer Michael Gills’ work,

P22 Civilite Suite Font

A historic font revival designed by P22 type foundry based on 16th century sources with a lineage going back to Robert Granjon in France and from early Dutch type specimens. Presented in Opentype with several variations. Civilite is a non-connecting

Huxley Vertical Font

Designed by Walter Huxley in 1935, Huxley Vertical is a sans / geometric font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Huxley Vertical

Antique Olive Font

Antique Olive, designed by Roger Excoffon in 1962 for the French Olive type foundry, was meant to be the French answer to Helvetica and Univers. However, the typeface is way too eccentric and distinctive to ever become a rival for

Latienne Font

Latienne is a large serif font family design, including 19 style options in the complete family. This font family also includes beautiful swash styles adding a more dynamic bounce and range to your type settings. Latienne was designed and released

P22 Czech Modernist Set Font

The type designs of Vojtech Preissig show a great affinity for handcraftsmanship and a distinct attempt to avoid appearing too clean and mechanical. Legend tells how Preissig created hand-cut fonts using a knife in linoleum blocks. This font was based

P22 Morris Ornaments Font

William Morris (1834-1896) was probably the most influential figure in the decorative arts and private press movements of the late 19th and early 20th century. In reaction to the increasing lack of quality that the industrial revolution brought on, Morris

P22 Michelangelo Regular Font

The great French sculptor August Rodin was strongly inspired by the Italian sculptor, painter and poet Michelangelo. Created in association with the Philadelphia Museum of Art, this font set is a tribute to the achievements of both extraordinary artists. Published