BoRock Font
BoRock is a handcrafted font that comes in two pigheaded styles, inspired by the rock music scene. You can use BoRock instead of the usual neat serif fonts. BoRock Grunge is a rough crispy serif font, excellently suited for use
Tag: commercial
Henderson Sans Font
The first thought that crosses a type designer’s mind upon seeing a slab serif is: I wonder what it would look if it was serifless. And so, after building Henderson Slab, I followed my instincts and gave it a sans
Merlo Neue Font
Merlo Neue is the younger brother of Merlo. New family received refreshed, more square proportions and a new shape of many glyphs. However, what is the most important in new Merlo, is the wide range of instances – nine new weights,
Helium Font
Designed by Steve Jackaman, Helium is a unique serif design re-tooled from the classic BF Collection. Published by Red RoosterDownload Helium
Cozza Font
The inspiration for the design of the font Cozza was Unitra Letraset from the 80s. Dry transfer lettering was used by architects from Poland and Czech Republic. Font Cozza, for each character has three alternative characters with their automatic replacement.
Artigua Font
High contrast, sharp endings and geometrical shapes – these are the main features of Artigua. The relation of vertical and horizontal lines reduces with weight – this makes regular weight appropriate for longer texts and black ideal weight for headings.
Messe Grotesk Font
Designed by Paul Hickson. Based on the Albert Augspurg design, circa 1921-27. Published by Red RoosterDownload Messe Grotesk
Dragonflight Pro Font
Dragonflight Pro is a script collection of four modern calligraphy fonts. Each glyph was hand-drawn with a brass folded pen dipped in ink. The tip of the folded pen resembles the shape of a dragonfly’s wing, hence the name. By
Rosengarten Font
Rosengarten is a condensed, bold typeface inspired by the work of Lucien Bernhard and the Plakatstil movement. With bold, rounded serifs, this typeface was created for use in headlines and larger point sizes. A complimentary sans serif style was integrated
Bullet Numbers Font
This is a must read!!! “Bullet Numbers” come in very handy for all kinds of lists that don’t exceed 100 categories. I have long since been using my own BulletNumbers in positive and negative and four styles, serif, sans, engravers
Supra Classic Font
“Supra Classic” designed by Gert Wiescher in 2014 – has 10 weights with corresponding italic cuts. The designs elegant contrast in the up- and downstrokes makes for better legibility and a pleasing personality. The dominant x-height with its high ascenders
Veneer Clean Font
Veneer Clean from Yellow Design Studio is the non-distressed version of the Veneer letterpress type family. The 8-font family includes Regular, Soft and Round versions with italics plus a free set of funky icons. Published by Yellow Design StudioDownload Veneer
Citadina Font
Citadina font family has been designed for Graviton Font Foundry by Pablo Balcells in 2016. It is a sans serif typeface with a geometrical, mechanic, neutral appearance and a slightly condensed design which makes it particularly effective for space economizing.
Platinus Script Pro Font
Platinus Script Pro is the latest example of what has now become a Sudtipos tradition: Adapting conventional calligraphic methods from the last two centuries to produce modern digital scripts for the current one. This time the resulting font explores the
Quotes Font
“Quotes” is the second typeface calligraphed by Yani Arabena, designed along with Guille Vizzari and Ale Paul, for Sudtipos. Being thrilled by the use of the pointed brush, spontaneous messages, gesture and freshness to represent inspirational phrases and quotes written
Scrapbooker Font
After previously collaborating on the bestselling Distillery Set, Carolina Marando and Alejandro got together once again to create this Scrapbooker Set, a new series of fonts that multiply the possibilities. One reason scrapbookers became a kind of design demographic is
Hoxton North Font
Hoxton North came out of the concept to create something distinctly British, drawing on modernist influences such as Edward Johnston's typeface for the London Underground and Gill Sans. A humanistic san serif typeface with a British modern quality. Open forms