Tag: commercial
Monsal Font
A sans-serif typeface with clean and simple proportions. The design pays special attention towards balance and purity of form, creating a functional yet elegant typeface suitable for a wide variety of modern applications. Details include 9 weights, an extended European
Hoxton Font
A modern humanistic san serif typeface. The horizontal structure of the font gives it a clean lateral dynamic that is ideal for on screen uses. Also the proportions have been condensed to maximise the use of space across various layouts.
Beval Font
A humanistic sans-serif typeface with subtle chamfer detailing. It’s strong lateral emphasis is combined with open apertures to create sharp and legible letter forms. These balanced and narrow proportions make it ideally suited to a variety of online applications. Details
Lintel Font
A modern san serif typeface with a pure clean line form. The idea has been to design a font with a proportioned and balanced structure that is applicable to a wide variety of uses. Details include 6 weights with italics,
Chameleon Family Font
Chameleon consists of 16 fonts based on 3 completely different designs. Different but specially designed to complement each other. Together they form a well balanced design kit suitable for many different projects, e.g. invites, menu’s, magazines, brochures, packaging, etc. Chameleon
Megaphone Font
Designed by Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood’s ‘Elston’ typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). The new design
Hipster Script Font
Hipster Script is another of my habitual attempts at trying to reduce the divide between manual and digital. In this case, I try to articulate brush lettering, try to get the computer to emulate continuous painting. The process wasn’t that
Amoretta Font
Amoretta = Little Love. Our sweet Amoretta is optimistic & bright. A charming balance of youth and sophistication, Amoretta is full of opportunity for print (Identity projects, stationery, book design, packaging design) or online applications (eBooks, games, websites). Easy to
Aguda Stencil Font
Aguda Stencil font family is the stencil version of Aguda font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Aguda Stencil consists of 16 styles. The 8 “Stencil 1” styles contain a narrow stem
Watch Font
Watch is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Watch
Filmotype Homer Font
Introduced by Filmotype in the early to mid-1950s, Filmotype Homer was created in response to customer demand for a wider brush script expanding on Filmotype’s popular sign painter sho-card lettering styles used in the late 1940s through the 1950s. With
DeeDee Font
DeeDee is a geometric sans serif typeface family of ten styles – thin, light, regular, bold, heavy in roman and italic respectably. DeeDee typeface is direct relative to older siblings of Dina family. Although all glyphs have gone through complete
Creighton Pro Font
Designed by Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood’s ‘Elston’ typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). However, the new
Metronic Slab Narrow Font
Metronic Slab Narrow is the condensed version of the Metronic Slab font family. This condensed style is designed for space-saving typography but with high legibility and versatility in mind. This Family also improved the needs of developers and graphic designers
Graphicus DT Condensed Font
Graphicus DT Condensed is a sans-serif font design, published by DTP Types Limited. Published by DTP Types LimitedDownload Graphicus DT Condensed