Tag: commercial
Flicker Font
Handpainted font with attitude! An attitude which will help you when designing posters, packaging, headline, invitations and alike, that needs that authentic brush-look! I haven’t got the count of how many pieces of paper I used to make this font.
Cabarno Font
Cabarno is a sans-serif organic typeface that can be use in any typographic situation. It has his own unique style in expressed perfect condensed forms with a warm and humane feeling. This font can function as headings, subheadings and body
Garlic Embrace Font
Ever wanted to be embraced by garlic? Probably not! But this font could surely embrace your designs that need an authentic brush look! Comes with 7 contextual alternates that automatically cycles as you type! Also, Garlic Embrace is FULL of
Trenda Font
Designed by Daniel Hernández and Paula Nazal. Corrections and review by Alfonso García and Rodrigo Fuenzalida. Trenda is a geometric sans-serif typeface based on the uppercase of Trend—a Latinotype font, released in 2013, that was very well received. This new
Ordinary Guy Font
Just another ordinary brush font? No! There is more to the picture than meets the eye! Ordinary Guy has 8 different versions of each letter! Just like magic, they cycle as you type! Included is multiple language support! Published by
Pigment Font
Crayon font gone crazy! 8 different versions of each letter, and they cycle as you type! Great variation, and enough to confuse people about this being a font or real crayon writing! And of course, the font has got a
Breakfast Font
This is close to insane! My Breakfast font has got 8 (yes EIGHT!) different versions using contextual alternates! They cycle nice and easy AS you type! How cool is that?! Of course, the font is also loaded with diacritics! Published
Cartel Deux Font
Cartel Deux is a script and sans-serif font family, designed and published by Cartel Deux. Published by Cartel Deux Download Cartel Deux
Disposition Font
You may not know it, but you’ve been looking for a font like DISPOSITION! Yeah, it’s a font…but it doesn’t act or look like one! Why?! Because there are 6 different versions of each letter! Yes, SIX different versions! Enough
Fontforecast's Ink Favorites Font
Fontforecast’s Ink Favorites is a carefully curated selection of 25 modern calligraphy fonts. Lots of character, flair and attitude contribute to this must-have-toolkit. The one common factor is ink, which makes these fonts easy to mix and match. Dip pen,
Ultine Font
No frills. No fluff. Still friendly. Keep your look clean and simple with the utilitarian but gentle Ultine. This font with a slightly extended geometric architecture gets straight to the point without pushing your reader away with too firm an
Murky Buzz Font
Murky Buzz is wild and unpredictable! Actually it is so wild that it has got 6 different versions of each letter – enough difference to make that café sign or headline look authentic! The OpenType contextual alternates cycles while you
Advertising Script Font
Advertising Script is a brush script typeface inspired by a handmade sample drawn by the calligrapher Ross Frederic George and depicted in Speedball 1947 Textbook Manual. Advertising Script has a vintage brush script look, perfect for food packaging, display and
Blue Sheep Font
It’s been a while since I named a font after a sheep, so I figured it was about time. The Blue Sheep, or Naur (Pseudois nayaur), is actually an existing species of sheep. It is found in the Himalayas and
Pigeon Wing Font
Crayon fonts are fantastic! I’ve always thought it looked so cool with fonts that simulate writing with crayons…but the fonts has always been limited in letters! But that’s where my Pigeon Wing font stands out! Using the smart techniques of
Little Boy Blue Font
I believe it was Picasso who had a Blue Period between 1901 and 1904. It seems that I have one myself – really not comparing myself to Picasso btw… Recently I created Blue Sheep font and now this one: Little
Kawak Font
Kawak is a sans inspired by Mayan glyphs from the Tzolk’in ritual cycle. Kawak marries modernist typographic tradition with Pre-Hispanic formalism, creating a perfect blend between cleanliness, readability, objectivity, and the Mayan super-ellipse. Kawak was designed by Javier Viramontes during