Tag: conservative  

Leighton Font - Image 1

Leighton  Font

Designed by Paul Hickson, Leighton is a clean serif based on Lectura, a design by Dick Dooijes of the Amsterdam Foundry (1966). Published by Red RoosterDownload Leighton

Fraktura Font - Image 2

Fraktura  Font

“Fraktura” and “Fraktura Plus” is a set of classical Fraktur (Blackletter) in a modern interpretation. The two fonts differ in the amount of embellishments and can and should be mixed. I only sell the pair, but for a fair  price.

Hess Old Style Font - Image 3

Hess Old Style  Font

Designed by Steve Jackaman, Hess Old Style was originally designed by Sol Hess as just a roman and italic for Lanston Monotype, circa 1920-23. Published by Red RoosterDownload Hess Old  Style

Kingsrow Font - Image 4

Kingsrow  Font

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Unofficially named No Frills in the early stages of development, his widow Elsie decided that it would be called Kingsrow. Published by Red RoosterDownload Kingsrow

Bellini Font - Image 5

Bellini  Font

Designed by A. Pat Hickson, Bellini is an original design based on the typeface Progreso from the Gans foundry circa 1923. Published by Red RoosterDownload Bellini

Modernista Font - Image 6

Modernista  Font

“Art Nouveau” happened over Europe under different names. They called it “Jugenstil” in Germany, “Le style moderne” in France, »Sezessionsstil« in Austria and Eastern Europe, “Stile Liberty” in Italy and “Modernista” in Spain. “Jugendstil” in Germany is what started  modern

Wurlitzer Pro Font - Image 8

Wurlitzer Pro  Font

Designed by Steve Jackaman & Ashley Muir. This design was inspired by an early 20th century woodtype. Wurlitzer contains all the high-end features expected in a quality OpenType Pro font. Published by Red RoosterDownload Wurlitzer  Pro

Kingsley Font - Image 9

Kingsley  Font

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. This beautiful recreation by Les of the Frederick Goudy typeface, Kennerley Old Style, circa 1911-24, may be superior to any other. Published by Red RoosterDownload Kingsley

Gilmore Fahrenheit Font - Image 10

Gilmore Fahrenheit  Font

Gilmore Fahrenheit is an original font design by A. Pat Hickson and Steve Jackaman for the Red Rooster Collection. Published by Red RoosterDownload Gilmore Fahrenheit

Gargoyle Font - Image 11

Gargoyle  Font

Designed by Steve Jackaman, Gargoyle is based on the original Adrian Williams typeface design, circa 1976 and Brook Type in 1903 designed by Lucien Pissaro. Published by Red RoosterDownload Gargoyle

Principe Font - Image 12

Principe  Font

“Principe” is the Bodonian idea driven to the limit by abolishing most of the hairlines! The shape is completed only by the eye of the reader. This gives room for elegant embellishments and makes for a surprisingly new look  to

Paillas Font - Image 13

Paillas  Font

“Paillas” is a very elegant and unusual Antiqua typeface I have been working on during the last three years. So far I just have the normal and oblique cuts, but eventually I will design a bold version as well. Published

Eleganza Font - Image 14

Eleganza  Font

“Eleganza” is my most elegant typeface. At least that is what I think! I use it for business cards and everything that has to be elegant with that extra touch. The font comes in pairs for the price of  one.

Vedo Font - Image 15

Vedo  Font

The name “Vedo” is derived from the Latin word for “I see”. Vedo is a new, sturdy Sans Monoline in 7 weights and 7 Italic cuts. The “Thin” cuts are free of charge. Yours designing new fonts in the Bauhaus

Bodoni Classic Pro Font - Image 16

Bodoni Classic Pro  Font

This is my new, completely worked over and fine-tuned Bodoni Classic for Europe (no Greek and Cyrillic). I have added a set of elegant Swashes (B) and 2 alternating uppercase swirly Initials (C) as well as two lowercase end-letters  (D).

Contra Condensed Font - Image 17

Contra Condensed  Font

Contra Condensed is the condensed version of my Contra family of fonts. It is very condensed, but not yet narrow. It is well suited in all situations where one needs to save space. Published by Wiescher DesignDownload Contra Condensed

New Age Font - Image 18

New Age  Font

We never tuned into robots. They didn’t come to our commune to kill, but to commercialize. We were living in a New Age and it wasn’t new enough. As fast as we dropped out of being drones, real drones  took