Tag: conservative
Fellowship Font
Named in tribute to the members of the American Typecasting Fellowship, this font is an original expression of Jim Rimmer's left-handed calligraphy. It was designed and cut in 24 p in the early 1980s, then cast as foundry type on
Cotillion Pro Font
Cotillion is an original design Jim Rimmer finished just before the turn of the century. Alongside its evidence of Jim's nostalgia at the deco type designs he was exposed to as a child, it distinctly shows a type designer who
Grotesque No 9 Font
Designed by Eleisha Pechey in 1906, Grotesque No 9 is an early 1900’s sans-serif font design. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Grotesque No 9
Shortwave Gothic Font
Designed and engineered by Steve Jackaman. Being a (modest) shortwave radio fan, Steve was inspired to design a typeface that celebrates this incredible technology. The smooth curves and sharp angles incorporated into this unique typeface are meant to symbolize and
Railroad Gothic Font
Digitally engineered by Steve Jackaman, Railroad Gothic is a strong sans-serif design based on Ludlow, circa early 1900. Published by Red RoosterDownload Railroad Gothic
Argus Font
Designed by Steve Jackaman, Argus is a serif design based on the popular 1968 VGC typeface. Published by Red RoosterDownload Argus
Elston Pro Font
Originally designed by Les Usherwood for a famous European car company, Elston Pro has been completely redrawn and remastered by Steve Jackaman and Ashley Muir. The new Elston Pro family has been fleshed out with a glyph set that is
Testament Font
From the standpoint of calligraphy, a font family of capitals and uncials makes perfect sense. The Roman square capitals, the quadrata, are matched by round capitals of older Greek origin; the word “uncus” means hook-shaped like a beak or talon.
Consort Font
Designed by Steve Jackaman, Consort is a serif design based on the original Stephenson Blake typeface design. Published by Red RoosterDownload Consort
Stirling Font
Designed by A. Pat Hickson, Stirling is a unique font designed with angled serifs. Published by Red RoosterDownload Stirling
Saint Louis Font
Designed by Steve Jackaman. Based on Players, a typeface from English designer Adrian Williams, circa 1976. Published by Red RoosterDownload Saint Louis
Xctasy Sans Font
Designed by Steve Jackaman, Xctasy Sans is a unique and retro sans-serif influenced by the 1960’s typeface, Design Fineline. Published by Red RoosterDownload Xctasy Sans
Maximo Font
Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Published by Red RoosterDownload Maximo
Generation Gothic Font
Generation Gothic, has already proved to be very popular with leading magazines including Later, Computer Arts, Ultimate Golf and Spark Magazine. This collection introduces complementary Generation Headlines which seek attention and create impact; Generation Uncial (which isn’t just for mystics
Breitkopf Fraktur Font
Breitkopf Fraktur was designed by Johann Gottlob Immanuel Breitkopf (1719-1794), the well-known type designer and printer of Leipzig. Breitkopf’s high reputation is based on a system of musical notes printing developed by him. 1793, in the final stage of his
Tempo Grunge Font
Designed by Steve Jackaman, Tempo Grunge is based on the medium weight of Ludlow Tempo. Published by Red RoosterDownload Tempo Grunge
Bodoni Campanile Font
Bodoni Campanile was originally designed by R.H. Middleton for Ludlow, circa 1930. Digitally engineered by Steve Jackaman. Published by Red RoosterDownload Bodoni Campanile
Astoria Font
Based heavily on Gill Sans especially in the mid weights, Astoria has a subtle top left serif which makes it not quite a Roman and not quite a Sans. Designed specifically as a text face it still works very well