Tag: conservative
Blanchard Font
Blanchard is a revival and elaborate extension of Muriel, a 1950 metal face made by Joan Trochut-Blanchard for the Fonderie Typographique Française, that was published simultaneously by the Spanish Gans foundry under the name Juventud. Blanchard is a script that
Block Gothic Font
Designed by Steve Jackaman, this font release s based on the original Block Gothic series circa 1960. Published by Red RoosterDownload Block Gothic
Relish Pro Font
Designed by Steve Jackaman and Ashley Muir. Relish is a more traditional sans serif version of our Guildford typeface, with round punctuation. Relish contains all the high-end features expected in a quality OpenType Pro font. Published by Red RoosterDownload Relish
Shinn Font
Designed by Nick Shinn. Digitally engineered by Steve Jackaman. Humanist sans serif with a calligraphic cut and tall ascenders. Light, Medium and Extra Bold designed by Nick in 1985 for Typsettra; Steve added the Book and Bold weights, and the
Figural Font
Michael Gills developed this new text family under the direction of Type Director, Colin Brignall. Figural is based on the original 1940 design by Oldrich Menhart, the famous Czechoslovakian calligrapher, type designer and typographer. All of the the original characteristics
Rocklidge Pro Font
Designed by Steve Jackaman & Ashley Muir. This design was inspired by the 1965 VGC typeface, Jana by Richard D. Juenger. Originally available as a single weight, Rocklidge now has five weights and contains all the high-end features expected in
Aviana Font
Designed by Karl Nayeri, Aviana is a font released for the Prime Graphics Type Collection. Copyright Prime Graphics. Published by Prime GraphicsDownload Aviana
Forum Titling Font
Designed by A. Pat Hickson. An original design based on the Frederick Goudy design first shown in 1912. Originally a caps only design in one weight. Produced as a foundry face by Lanston Monotype 1924. Published by Red RoosterDownload Forum
YWFT Ultramagnetic Font
How to make soft-yet-gothic? Countless hours spent researching, and years of refinement, that’s how. YWFT Ultramagnetic was finally mastered to postscript/truetype format in 1999 and has gone on to be one of the most widely-used YWFT exclusives of all time.
Nurom Font
A contemporary sans-serif typeface. It’s structure takes influence from the early grotesque style, resulting in a precise and legible font with a charming character. Details include 8 weights, a standard character set, manually edited kerning and Euro symbol. Published by
Dominus Font
Designed by Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood’s ‘Elston’ typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). However, the new
Schiller Antiqua Font
Designed by Steve Jackaman, Schiller Antiqua is based on Hispalis from the Spanish foundry, Nacional. Published by Red RoosterDownload Schiller Antiqua
Prague Font
Prague is a strong, angular Roman typeface with classical overtones. It is suitable for use across a wide spectrum of advertising work requiring a traditional or classical approach. The exciting vibrancy of this typeface typifies Type Designer Michael Gills’ work,
Bank Script Font
Designed by James West in 1895, Bank Script is a script release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW Type Foundry GmbHDownload Bank Script
Erasmus Font
Designed by A. Pat Hickson, Erasmus is a serif font based on the S. H. de Roos typeface design, originally by Amsterdam Foundry in 1923. Published by Red RoosterDownload Erasmus
Ryder Gothic Pro Font
Designed by Steve Jackaman & Ashley Muir. A revival based on the Harry Winters design ‘Roslyn Gothic’ released by VGC in 1972. We’ve added a new light weight and several alternate glyphs. Ryder Gothic contains all the high-end features expected
Karnak Pro Font
Based on the original design by Robert Hunter Middleton. We completely redesigned the italic weights of Karnak, because the original versions just did not look right. For good measure, we decided that the family also needed a bold weight. Digitally