The word Saiihah is the Arabic for shout. Saiihah is an Arabic display font with an extra heavy style. It suits branding, posters and advertising. Published by Scribo StudioDownload Saiihah
If “Grotesque” mainly means “industrial, mechanical, anonymous typeface” to you, Klainy might redefine your image of the genre. Yes, it’s a Grotesque—but with a contemporary look and a lot of personality. Klainy’s apertures are more closed at the top and
Umba Sans is a contemporary typeface designed by Anita Jürgeleit. The undulate shaped curves create a new highly aesthetic appeal in an unexpected manner. Therefor Umba Sans fulfills your corporate identity needs as well as your editorial demands. 30 styles
Harper Script is an modern script typeface. Using the outline as the foundation, Harper was created originally as an outlined script typeface. I thought that this would be a fitting typeface for the popular ‘line illustrations’ that have been coming
If you say it, say it cool. Say it with Plunct Plact, an original font duo that’s worth a thousand words. Published by PintassilgoPrintsDownload Plunct Plact
An ‘Aiguille’ is a sharp pinnacle of rock in a mountain range. Aiguille font is a beautiful handwritten connected script font. I thought it was a good way to start off the new year! Aiguille comes with a whole bunch
Neufile Grotesk font family has its roots in one of the earliest sans-serif designs commercially available, highly legible sans serif typeface very well suited for any display and text use. Neufile can be effortlessly applied to a wide range of
Tg Hagia is contemporary serif font inspired by Modern Culture. This font is highly recommended for use as display and body text. Tg Hagia is available in three widths namely regular, semi-bold and bold Published by Tegami TypeDownload TG Hagia
Freehand is a type system designed by Debora Manetti and Francesco Canovaro to emulate the natural appearance of handmade brush writing. Open type ligature substitutions are used to randomly alternate between different versions of each character to give the final
Kurstiva is a narrow, sans serif typeface family available in ten weights ranging from a hairline, thin weight to a dark, black style. Conceived as a contemporary text face, this typeface aims to convey a strong personality while remaining very
Hello designers, Lettering lovers, & Font addicts! Please allow me to introduce Peony Blooms! A carefully crafted hand lettered font pair. A charming combination of a stylish, bouncy script and a playful hand-written Sans. Use them best together, or even
Kittle Rough is a robust display font with a time-worn texture. It has a strong, pared down look based on bold geometric forms. Loaded with personality, Kittle Rough features a full upper and lower case character set and an extended
I wanted to design my own sans-serif typeface for my web site to complement the rest of my type library, so I designed Congenial as an understated, highly legible complement to my more decorative display faces. Of course, I’m never
Campuni is a sans-serif typeface that can be described as an “upright italic”: its letters are modeled on the handwritten forms of italics—but without the slant. This gives Campuni a contemporary, charming, and trustworthy character. As with most modern sans-serif
Fuse Vol 2 is an extension to our popular Fuse type family. All of the corners of the typeface’s character are rounded, making Fuse Vol 2 friendlier and more amiable variant of the original Fuse. Designed with powerful OpenType features
Emy Slab is a slab serif based on the classical proportions of Egyptian typefaces but with soft terminals that give the font a more friendly and modern look. Emy Slab consists of two subfamilies of 7 weights, ranging from Thin
Sibylle is a handmade script font. I used a medium sized Japanese brush pen and coarse paper to create the ‘eroded’ effect. Sibylle comes with double letter ligatures and stylistic alternates for the o (plus all accented o’s). Published by
Neuron puts a chemist’s twist on standard block-style print to create a fresher version of the elemental alphabet. Widely spaced letters and a slightly tall x-height have a clean effect for great readability. Squarish shapes are stylized to retain curved