Tg Hagia is contemporary serif font inspired by Modern Culture. This font is highly recommended for use as display and body text. Tg Hagia is available in three widths namely regular, semi-bold and bold Published by Tegami TypeDownload TG Hagia
Freehand is a type system designed by Debora Manetti and Francesco Canovaro to emulate the natural appearance of handmade brush writing. Open type ligature substitutions are used to randomly alternate between different versions of each character to give the final
Kurstiva is a narrow, sans serif typeface family available in ten weights ranging from a hairline, thin weight to a dark, black style. Conceived as a contemporary text face, this typeface aims to convey a strong personality while remaining very
Hello designers, Lettering lovers, & Font addicts! Please allow me to introduce Peony Blooms! A carefully crafted hand lettered font pair. A charming combination of a stylish, bouncy script and a playful hand-written Sans. Use them best together, or even
Kittle Rough is a robust display font with a time-worn texture. It has a strong, pared down look based on bold geometric forms. Loaded with personality, Kittle Rough features a full upper and lower case character set and an extended
I wanted to design my own sans-serif typeface for my web site to complement the rest of my type library, so I designed Congenial as an understated, highly legible complement to my more decorative display faces. Of course, I’m never
Campuni is a sans-serif typeface that can be described as an “upright italic”: its letters are modeled on the handwritten forms of italics—but without the slant. This gives Campuni a contemporary, charming, and trustworthy character. As with most modern sans-serif
Fuse Vol 2 is an extension to our popular Fuse type family. All of the corners of the typeface’s character are rounded, making Fuse Vol 2 friendlier and more amiable variant of the original Fuse. Designed with powerful OpenType features
Emy Slab is a slab serif based on the classical proportions of Egyptian typefaces but with soft terminals that give the font a more friendly and modern look. Emy Slab consists of two subfamilies of 7 weights, ranging from Thin
Sibylle is a handmade script font. I used a medium sized Japanese brush pen and coarse paper to create the ‘eroded’ effect. Sibylle comes with double letter ligatures and stylistic alternates for the o (plus all accented o’s). Published by
Neuron puts a chemist’s twist on standard block-style print to create a fresher version of the elemental alphabet. Widely spaced letters and a slightly tall x-height have a clean effect for great readability. Squarish shapes are stylized to retain curved
Honeyguide is a beautiful, handmade set of fonts. One is a brushed script font; the other a playful all caps font. Both come with italic styles. Use these two babies for your product packaging and book covers, happy holiday greeting
Stena is a very functional sans serif typeface with calligraphic feel, especially designed for contemporary typography. This family features deep and sharp ink-traps as part of its design. Thanks to its proportions, solid and balanced forms, combination of straight and
Augmento is a large contemporary font family from R9 Type+Design. We designed this typeface right smack on the sweet spot between formal and casual. The rounded rectangular structure gives Augmento the corporate, yet approachable look while the quirky stems add
Nutmeg is a geometric typeface with a slight flavored touch. Although its structure is stick to the traditional forms, its details transform this typeface in a boldly project that separates it from other geometric fonts. Nutmeg’s texture can be perceived
First of all, I don’t have an uncle called Edward, nor do I know anyone by that name. When I had finished this font, it had a strong ‘Uncle Edward’ feeling to it, so the name stuck. Uncle Edward is
Arturo is a sans serif family designed by Francesco Canovaro as part of his research in the digital reinvention of handmade brush lettering. Marrying a fun, playful approach to letterforms to the versatility of a text family with multiple weights
TT Wellingtons is an attempt to combine the style of English humanist sans-serifs of the early 20th century with the requirements for modern geometric grotesques. Our main task was to preserve the feeling of hand-written origin of the letters while