Tag: contemporary
Workaday Font
Workaday from Yes Please is a bold and clean contemporary take on the classic American Sans Serif. Inspired by the wildly varied history of early to mid 20th century American signage, aircraft markings and industrial shipping vernaculars, Workaday exudes a
Violenta Slab Font
Violenta Slab font family has been designed for Graviton Font Foundry by Pablo Balcells in 2015. It is a display, geometric typeface, with a condensed design and sharp angles that provides an aggressive and strong appearance. Violenta Slab consists of
Cavita Font
Cavita typeface is a mix between both grotesque and calligraphic models: regulars have a rough grotesque spirit; while the italics where inspired in calligraphic gestures. All of these details are reinforced with an inverted modulation (horizontals strokes are thicker than
Itoya Font
Itoya is a contemporary sans serif font influenced by Western and Japanese ideologies. A fusion of modern machine-like functions with a warmer, emotional and more spiritual ethic. The marriage of a western precision and eastern expression forms a sharp functional
Basil Font
A mix between tradition and innovation, Basil is a unique humanist slab serif well suitable for broad range of design projects – editorial, logotype, poster, etc. With its tall x-height and generous internal spaces, the type family was especially designed
Libertad Office Font
Libertad is a sans-serif typeface that mixes humanist and grotesk models – It’s most interesting feature is the combination of balanced regulars with dynamic italics, which makes it a very versatile font for different uses. This special package is a
Karlsen Font
Designed and built in London by TypeUnion, Karlsen is a structured, functional typeface which embraces harmony, flow and versatility. The Karlsen Family is made up of 14 styles, which range from a delicate thin, all the way through to a
Basel Neue Font
Basel Neue is a legible and discrete typeface, a sans serif with thickness variation and humanistic touch. The family consists of 8 styles, 4 weights plus their respective italic versions. Download the “OT Features” pdf to know and take advantage
Realtime Stencil Font
Realtime Stencil is part of the Realtime type family which draws inspiration from information displays. The result is a technical yet friendly design with details that serve function and visual impact alike. As a monospaced typeface it lends itself to
Spumante Font
A slim, semi-connected script with lithely upright curves, Spumante conveys the casual effervescence of its namesake wine. Smoothed brush-script letterforms bounce gently along the baseline, and letters vary slightly in their slant— characteristics that combine to create a very human
Decour Font
Decour is a Slab Serif typeface that features low contrast between thick and thin strokes and whose proportions were based on those of Art Deco design. A big height difference between lower case and upper case letters makes Decour a
Oui FY Font
Same weight, same width but different heights: Small, Normal and Big… here is the secret of this singular sans serif font family. You can mix and match its friendly and well balanced upper case letters to create original dancing words,
Seconda Soft Font
Seconda Soft is the soft companion of Seconda. A little friendlier, a little easier on the eye, a little more informal, a little more fashionable — but still the refined and reliable Seconda. Seconda Soft’s softness comes from the moderate
Marcus Font
Marcus, the font, was named after the Roman Emperor Marcus Ulpius Traianus (Trajan) born 18 September 53 in the Roman province of Hispania Baetica (in what is now Spain), a province that was thoroughly Romanized, in the city of Italica.
Stabile Font
Stabile is a rather stylish casual font with loads of good vibes and alternates: there are four glyphs for each letter, two for each numeral plus swashes to this side and the other. Two for each side, in fact. It’s
Nikaia Font
Nikaia started as an experimental typeface (the script weights) and was then expanded to its logical conclusion (italic & regular), producing the fastest look typeface in the world. Nikaia looks clean and sharp at any size, with 5 weights for
Ainslie Slab Font
Based on the inspiration from Mt. Ainslie and the Ainslie suburb outside Canberra, the original Ainslie adds [these characteristics] to the project. And now the muses of Ainslie are back at work, lending their structure as the foundation of Ainslie