Tag: contemporary
Basel Neue Font
Basel Neue is a legible and discrete typeface, a sans serif with thickness variation and humanistic touch. The family consists of 8 styles, 4 weights plus their respective italic versions. Download the “OT Features” pdf to know and take advantage
Realtime Stencil Font
Realtime Stencil is part of the Realtime type family which draws inspiration from information displays. The result is a technical yet friendly design with details that serve function and visual impact alike. As a monospaced typeface it lends itself to
Spumante Font
A slim, semi-connected script with lithely upright curves, Spumante conveys the casual effervescence of its namesake wine. Smoothed brush-script letterforms bounce gently along the baseline, and letters vary slightly in their slant— characteristics that combine to create a very human
Decour Font
Decour is a Slab Serif typeface that features low contrast between thick and thin strokes and whose proportions were based on those of Art Deco design. A big height difference between lower case and upper case letters makes Decour a
Oui FY Font
Same weight, same width but different heights: Small, Normal and Big… here is the secret of this singular sans serif font family. You can mix and match its friendly and well balanced upper case letters to create original dancing words,
Seconda Soft Font
Seconda Soft is the soft companion of Seconda. A little friendlier, a little easier on the eye, a little more informal, a little more fashionable — but still the refined and reliable Seconda. Seconda Soft’s softness comes from the moderate
Marcus Font
Marcus, the font, was named after the Roman Emperor Marcus Ulpius Traianus (Trajan) born 18 September 53 in the Roman province of Hispania Baetica (in what is now Spain), a province that was thoroughly Romanized, in the city of Italica.
Stabile Font
Stabile is a rather stylish casual font with loads of good vibes and alternates: there are four glyphs for each letter, two for each numeral plus swashes to this side and the other. Two for each side, in fact. It’s
Nikaia Font
Nikaia started as an experimental typeface (the script weights) and was then expanded to its logical conclusion (italic & regular), producing the fastest look typeface in the world. Nikaia looks clean and sharp at any size, with 5 weights for
Ainslie Slab Font
Based on the inspiration from Mt. Ainslie and the Ainslie suburb outside Canberra, the original Ainslie adds [these characteristics] to the project. And now the muses of Ainslie are back at work, lending their structure as the foundation of Ainslie
Bosko Font
A robust slab serif typeface that combines classic proportions with contemporary styling. These carefully crafted letterforms are best suited for use on book jackets, news headlines, packaging, posters and t-shirts. Details include 4 distinct styles, a full character set, manually
Uniman Font
A clear and simple sans serif typeface. Straight lines are combined with precision curves to form a functional and versatile font best suited for a wide range of applications. Developed to meet the needs of the professional user, details include
Gubia Font
Gubia font family has been designed for Graviton Font Foundry by Pablo Balcells. It is a geometric, sans serif typeface with a slightly condensed design. It has been conceived to be most suitable for all sized headlines, as well as
Ironstrike Font
Ironstrike pays homage to industrial and constructivist lettering. Rigid shapes and tall lowercase letters evoke strength and technology. Seven weights with matching italic fonts step up to your tough design challenges. Fine light weights emphasize white space and powerful heavy
Cresilda Font
Cresilda Script is a fluid handwritten calligraphy fonts, combining calligraphy typefaces with a free flowing and moving baseline. It has a casual, yet elegant touch. features 270+ glyphs and 79 alternate characters. Including initial and terminal letters, alternates, ligatures and
Velik Font
Velik is a hand drawn typeface, originally painted in ink and translated into a digital format for you to work and play with. My font journey so far was about embracing love for rational geometry but there is another child
