Tag: content
Suomi Sans Font
There are many sans serif typefaces with calligraphic tendencies, but Suomi Sans is different: the outside forms are fairly basic, fairly narrow sans serif style, but the counter forms have a strong calligraphic flair with accented upper left and lower
Nimbus Sans Novus Font
Break the Fontopoly. Helvetica. The boss of the 600-lb gorillas. A famous name, known in every corner of the world as the end-all, be-all of sans-serif typefaces. It even has its own feature film. But, what if everything you assumed
Prelo Font
Prelo was designed to be a neutral, highly readable typeface, for identity, editorial and information design. With nine weights and nine true italics, from Hairline to Black, Prelo is a workhorse typeface, full of OpenType features such as Small Caps,
Solido Compact Font
Solido is a very versatile and usable type system with five widths: Solido, Solido Constricted, Solido Condensed, Solido Compressed and Solido Compact, in a total of 35 fonts with many of alternate characters. Published by DSTypeDownload Solido Compact
P22 Late November Pro Font
Late November is a transitional Antiqua-inspired type design. From the designer: “I started working with the design one dark, late November night, two years ago. After two years of work, I felt I had to draw the line and consider
Bookmania Font
Bookmania (2011) is a revival of Bookman Oldstyle (1901) and the Bookmans of the 1960s, but with all the features you would expect in a modern digital font family. Feature Summary: – 5 weights: Light, Regular, Semibold, Bold, and Black
Solido Font
Solido is a very versatile and usable type system with five widths: Solido, Solido Constricted, Solido Condensed, Solido Compressed and Solido Compact, in a total of 35 fonts with many of alternate characters. Published by DSTypeDownload Solido
Rieux Font
Named after the steadfast doctor from Albert Camus’ The Plague, Rieux is an even-tempered slab-serif that is confident without being cocky and approachable without being casual. The aesthetic of Rieux is inspired by the industrial age. While the design is
URW Grotesk Font
URW Grotesk was designed exclusively for URW by Prof. Hermann Zapf in 1985. At the same time, Zapf designed URW Antiqua to go with URW Grotesk. At that time, we were working with a large German publishing house (Axel Springer)
Corporate E Font
The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate A (Antiqua), Corporte S (Sans Serif), and Corporate E (Egyptian) is a
Telltale Font
Telltale is classic serif design made for headline and text use mainly. Contains two styles, book and italic, that work together quite beautifully when used together at different point sizes. Published by Suomi Type FoundryDownload Telltale
Filmotype Manchester Font
Originally released in the late 1960s, Filmotype expanded it’s Grotesque typeface category with the introduction of its Miner, Marlette and Manchester typefaces offering its own original take on this modern sans serif style Type designer Rian Hughes refined and further
Solido Compressed Font
Solido is a very versatile and usable type system with five widths: Solido, Solido Constricted, Solido Condensed, Solido Compressed and Solido Compact, in a total of 35 fonts with many of alternate characters. Published by DSTypeDownload Solido Compressed
PF Fusion Sans Pro Font
Fusion Sans is an amalgamation of traditional early nineteenth-century sans-serif letters. Despite its monotone structure it retains certain features common to roman. For instance lowercase ‘a’ and the two-storey ‘g’ are normal roman characters, while most letters are designed with
Lucida Bright Font
Designed by Charles Bigelow and Kris Holmes in 1993, Lucida Bright is a clean serif design released by URW. Contains language support for West, East, Turkish, Baltic, and Romanian. Published by URW++ Download Lucida Bright
Organic Font
Organic was designed to be highly legible and flexible. I wanted to create a very refined sans-serif that could be used for display or body copy, for print or digital. The Opentype flexibility allowed me to expand the look of