Tag: Contrast

Elegia Font

I designed Elegia on a winter escape in beautiful and sunny Lisbon. That was a very elating experience, friendly people, a beautiful old town, perfect coffee and good simple cooking all that topped by extremely reasonable prices. Since I just

Conglomerate Font

Sans or serif? Square or rounded? Calligraphic or geometric? Conglomerate is both all and none of these things — a subtle yet unorthodox blend of typographic traits resulting in a clean, unique, and versatile font family with large, open counters

Deleplace Font

Deleplace is a modern, delicate and refined typeface that is both contemporary and hints at a classical past. Featured in 3 weights, this family includes an extended language support that covers extended latin and cyrillic scripts. It equally includes a

Jumble Font

A font this friendly, welcoming, and easy-to-read is a treat for the eyes. Jumble draws you in with its thick, curvy strokes, jaunty counters, and a whimsical variety of counterforms – no two are alike, even within a single m

Bodoni Sans Font

Bodoni Sans is a new classic built on the foundation of two centuries of history. Fresh and contemporary, while feeling familiar. Stylish and sophisticated, confident and elegant. Bodoni Sans is more than just chopping off the serifs. The classical proportions

TT Drugs Condensed Font

Drugs Condensed – a modern font family which consists of 5 condensed sans serifs with a special contrast formula of lines and stems. Drugs Condensed is a condensed version of the Drugs Font family. These fonts are perfect for design

Paganini Font

Designed in 1928 by Alessandro Butti under the direction of Raffaello Bertieri for the Nebiolo foundry, Paganini defies standard categorization. While it definitely is a classic foundry text face with obvious roots in the oldstyle of the Italian renaissance, its

MxMy Font

Clean, inspired by russian constructivism, duo of fonts – Mx and My. My is more contrast and have swashes. All have numerous alternatives and ligatures. All have small triangle in place of drop. Good for fashion, editorial, posters and so

Estro Font

Estro was originally designed by Aldo Novarese in 1961 for the foundry Nebiolo. Estro can maybe be classified a combination of Egyptienne and script. Ralph M. Unger redrew and digitized this font exclusively for profonts in 2003. His work is

Quincy CF Font

The warm letterforms and medium contrast of Quincy© CF give any text a smooth, flowing motion. Small variations and human touches add charm, with Quincy’s boldest weights especially strong as large and medium display type. New in version 4.1: Quincy

Vanage Font

Vanage is is an elegant high contrast contemporary sans-serif stencil typeface provides advanced typographical support with features such as ligatures and alternate characters. It is rooted in the style of a classic high contest typeface, excluding the typical serifs and

Quars Font

Quars has a strong personality with elegant, sharp and contemporary features. This typeface comes from several subtle influences, from the contrast of the Scotch Romans to the sharpness contemporary Dutch designers. Quars is crystal clear and neat, full of subtleties,

Darjeeling Font

Darjeeling combines British Elegance and Indian Flavor. It is flared like Optima, with a scent of Bodoni. By layering Regular and Ornaments over each other You will create astounding pieces of colorful typography. Additionally there is a Regnaments style which