Tag: cool
Sayer Spiritual Font
Sayer Spiritual is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Sayer Spiritual
Sommet Slab Font
The Sommet family of typefaces has been updated with a new slab serif variant. Expanding on Sommet’s successful design principals, Sommet Slab is there when you need more impact and power. Sommet Slab is available with six weights and complementary
Bumper Font
Bumper is the ideal ultrablack Sans Serif if you wanna make noise. The three widths could even be mixed in one single word, which creates a hand-made, edgy look. Bumper falls between glossy mags and poster art, and has a
Diane Script Premiere Font
Designed by the legendary French designer Roger Excoffon in 1956, this remarkable script has never been faithfully recreated until now. In close collaboration with Mark Simonson, FontHaus and Mr. Simonson painstakingly researched rare type books, publications, European metal type services,
Naive Inline Font
Naïve Inline is a layered serif handwritten font designed by Fanny Coulez and Julien Saurin in Paris. Our goal was to draw a font with finely irregular lines that give a human and whimsical feeling. We designed three weights to
Trango Font
A funny childish handwritten font, with a spirit. This typeface can tell fairy tales. Trango is a sans serif that goes well with the slab serif Besley Hand. Published by Juraj ChrastinaDownload Trango
Raleigh Gothic Font
Designed by Steve Jackaman. Based on the ATF typeface by Morris F. Benton, circa 1934. Steve created two additional new weights. Published by Red RoosterDownload Raleigh Gothic
Iron Maiden Font
Designed by Steve Jackaman, Iron Maiden is a retro display face released by Red Rooster. Published by Red RoosterDownload Iron Maiden
Brixton FY Font
Brixton Fy is an original and friendly handwritten font with round and curvy serifs. With its heavy-handed design and effects, this typeface will give originality and authenticity to your creations. Available in two weights, this font is composed of two
Megaphone Font
Designed by Steve Jackaman and Ashley Muir. It was our initial intention to develop a suitable lowercase for Les Usherwood’s ‘Elston’ typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). The new design
Chicago Font
Chicago is a font design released for the Mecanorma Type Collection. Copyright 2004 Trip Productions BV. Published by MecanormaDownload Chicago
Aguda Stencil Font
Aguda Stencil font family is the stencil version of Aguda font family, it has been designed for Graviton Font Foundry by Pablo Balcells in 2014. Aguda Stencil consists of 16 styles. The 8 “Stencil 1” styles contain a narrow stem
Fiance Font
Fiancé is a new extra bold sans italic font with a lot of lovely alternate glyphs to play with. Specially developed for packaging, logotype & poster design projects. Designed by Miguel Hernández. Engineered by Alejandro Paul. Published by Sudtipos Download
Story Brush Font
Story Brush is a high detailed brush font that has over 240 glyphs. Containing 2 versions, Regular and Slanted, Story Brush is equipped with OpenType feature for make custom feel for your design. This font is designed for t-shirts design,
Filmotype Homer Font
Introduced by Filmotype in the early to mid-1950s, Filmotype Homer was created in response to customer demand for a wider brush script expanding on Filmotype’s popular sign painter sho-card lettering styles used in the late 1940s through the 1950s. With
Dungeon Font
Designed by Steve Jackaman, Dungeon is a type design based loosely on a VGC design, Serpentine, circa 1970. Published by Red RoosterDownload Dungeon
DeeDee Font
DeeDee is a geometric sans serif typeface family of ten styles – thin, light, regular, bold, heavy in roman and italic respectably. DeeDee typeface is direct relative to older siblings of Dina family. Although all glyphs have gone through complete
Stanzer Slab Font
The Black, the Block and the Shadow: Stanzer Slab is an interpretation of wood type combined with the idea of modern stencils. Instead of cutting every letter, we are presenting an example of how a modern stencil typeface could look