Tag: corporate

LeftheriaPRO Font

Leftheria has its structure projected from the capitals of the Greek columns of Ionian order, it is a typography condensed with vertical emphasis composed by 05 weights (light, regular, medium, semibold, bold) including ligatures, alternates, small caps, old styles figures,

Sequel Sans Font

Sequel Sans is an homage to Max Bill, the influential mid-century Swiss architect, artist and industrial/graphic/type designer. Designed in cooperation with the Max Bill Georges Vantongerloo Foundation in Zurich, this is a modern response to the traditional Max Bill themed

Noyh Geometric Slim Font

Noyh Geometric Slim is altered modified from the form of the original “Noyh”(2015) typeface. We added sharp corners in apex, including the structure of typeface. Import to be more Corporate, the font family has flat terminals that harmonize with sharp

Barter Exchange Font

Barter Exchange is a multi-purpose sans serif that can take on any project—newspapers, magazines, books, websites, packaging and environmental graphics. The regular weight, including italic, is free and is not a demo. Published by Hanken Design Co. Download Barter Exchange

Atiga Font

Atiga is a workhorse sans serif family with subtly distinct forms. The large number of weights and corresponding italics allow for usage at almost any size, in print and on screen. Published by Tyler Finck Download Atiga

Carrig Pro Font

Carrig Pro is a refined and elegant serif. Classed as an Antiqua, Carrig Pro is borne from a hybrid of influences that range from early Roman inscriptions to type of the Pre-Modern era, giving Carrig Pro a distinctive character all

Pitchland Font

Pitchland is a modern font with three different weights. It was designed for a clothing brand project. The idea was to first make two different fonts, but became three fonts. Two of them are “Decorative” in two versions, where there

Weekly Font

Weekly: a slab serif that wants to be a sans. The font was created under the premise that it can be used as a sans: a fresh design without that retro feel typical of slab fonts. As a result, we