Opinion Pro is a geometric sans-serif typeface with extra-large x-height that comes in 64 styles. It is composed of 4 width variations, each in 8 weights with respective italics. Its rigid curves with pronounced vertical stems makes it useful as
Geometrica is a low contrast rounded geometric Sans with a mid 19th/early 20th century simplicity air yet modern and minimalist. The font was inspired by the idea of creating a typeface with uppercase/lowercase characters and small caps having the same
INTEGRAL CF is designed for maximum visual and emotional impact. Its six weights excel in posters, social media, headlines, titling, large-format print – and anywhere else you want to be noticed. Hidden among the straight lines and corporate confidence is
Coben is a modern and futuristic san-serif font family. Simple and modern shapes with a tall x-height make the text legible and the spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Coben Family consists of
Somersault is a nonchalant, rough edged, hand painted, brush font, with a spontaneous personality. With its natural charm it brings cheer and lightness to any design. Alternate characters for upper and lowercase letters and lots of ligatures enable you to
Oscar Niemeyer is one of the greatest architects of our time—his unique way of mixing straight lines and abstract curves gives rise to an unmistakable and characteristic style. This typeface is my own tribute to Brazilian architect Oscar Niemeyer. The
Cocotte is a small caps sans serif display typeface inspired by the graphic style of early art nouveau. It comes in three weights with matching italics and features a regular style, inspired by arts&crafts and geometric jugendstil, and an alternate
Neusa Next is a geometric sans serif type family designed by Maria V. Pigoulevskaya. Its wide range of weights, widths and matching italics provides the designer with a complex and rich typographic palette. Designed and released as Neusa in 2012,
P22 Blox is a modular system of shapes that can build letterforms and abstract patterns. Created as a working prototype for the letterpress P22 Blox project from P22 Analog and Starshaped Press, this system of shapes presents a unique approach
Atlan—a Latin ’spin-off’ of classic geometric sans typefaces. Remembering typefaces like ‘Kabel’ by Rudolf Koch while paying attention to current design needs was the starting point for ‘Atlan’—a simple, elegant and appealing font. This typeface is based on highly expressive
Designed by Alfonso García and Latinotype Team. Rawson is inspired by early humanist sans-serif English typefaces. We have added a bit of Johnston, a bit of Gill and a lot of Latinotype to the font. Rawson is an elegant font—but
Normative Pro is a sans-serif font family includes a 12 styles (6 weight and italics), support Latin, Cyrillic, Greek, Eastern European, Baltic and Turkish scripts. The family uses a large number of useful OpenType features: small caps, contextual alternates, stylistic
Over the past couple of decades, the many applications that joined print as media requiring design solutions have combined to necessitate a visual evolution that favours controlled optical geometry and careful counter-space consideration over ornamental features traditionally associated with print
Deposit Pro is a wide slab-serif family with low x-height. In both headlines and paragraph text it creates a serious yes friendly texture, making it particularly suitable for corporate communication design. Deposit Pro consists of 16 styles (8 weights and
It took me 12 years to bring this extensive font family to completion. A lot has been changed, transformed, peeled and developed in all those years. For many of my projects I used it as my quarry and so it
Delish Pro is a bouncy brush font family. Hand lettered with lots of character. This delicious family contains 7 fonts in various styles, especially designed to make sure there’s always one that fits your design needs. There’s an Upright and
The TT Pubs font family includes two sub-families: the elegant modern serif and its sophisticated stencil version. Both versions are thoroughly thought through and are self-sufficient, but thanks to their mutual ancestor they look perfectly together and complete each other! The
