Tag: corporate
Ostrich Proper Font
Ostrich Sans is dead, Ostrich Proper is here! What started as a skinny single style has evolved to a family from ultralight to extrabold. OP is a slightly condensed typeface with clean, smooth lines and personality at each weight. Published
Spectators Headline Font
Spectators Headline, designed by ogj type design, supports central, eastern european and western european languages. Published by ogj type design Download Spectators Headline
Kawak Font
Kawak is a sans inspired by Mayan glyphs from the Tzolk’in ritual cycle. Kawak marries modernist typographic tradition with Pre-Hispanic formalism, creating a perfect blend between cleanliness, readability, objectivity, and the Mayan super-ellipse. Kawak was designed by Javier Viramontes during
Synerga Pro Font
Synerga Pro is a contemporary slab-serif typeface with humanist features. In smaller text sizes it exposes the characteristics of its slab built, but as the size grows, lots of fine features become visible: rounded terminals, dynamic horizontal serifs, non-vertical endings
Haboro Serif Font
The polls are in. Now here by customer request–Haboro Serif, the newest edition of the Haboro Hyper family. The Haboro fonts are an outstanding upstart success from the first part of 2016. Following the release of the popular Haboro, Haboro
Amazing Grotesk Font
Amazing Grotesk is a semi slab serif typeface family designed by Cosimo Lorenzo Pancini developing an original logo created by Francesco Canovaro. It’s a typeface designed to embody the characteristics of the startup scene: a feeling of innovation, information and
Breul Grotesk Font
Breul Grotesk is classic and straightforward, sparing nonessential design elements that would otherwise detract from its simplicity. Inspired by Bauhaus design concepts, Breul Grotesk is a sans serif typeface that pairs artistry with innovation. Two distinct variations of the font
Haboro Soft Font
Stop trekking through the thick, wintery font forest, and step lightly into the fresh life of the Haboro hyper family. Though simple in nature, the Haboro hyper family provides you with a variety of options. Take, for instance, Haboro Soft,
Henderson Sans Font
The first thought that crosses a type designer’s mind upon seeing a slab serif is: I wonder what it would look if it was serifless. And so, after building Henderson Slab, I followed my instincts and gave it a sans
Acier Font
Giving Cassandre another shot at stardom Designed by Cassandre (born Adolphe-Jean Mouron, 1901-1968) in 1930, Acier was the second design by the legendary artist to be published by the Deberny & Peignot foundry. As a dual-color display typeface, designed in
Instant Font
The typeface that shifts gears Since its origins, typography has been closely related to the handwriting from which it originates. The quicker we write, the more the writing is done without raising our hand; typographic shapes derived from this action
Synthese Font
The Synthese project combines various influences from landmark sans serifs of the 20th century into a unique typeface family. Equally functional in screen interfaces as in signage, the family also features all the tools necessary for demanding publication design. At
Malva Font
Malva was designed to perform as a branding element, providing a clean look for visual identities and publications. It brings a touch of friendliness to the communication without compromising the professional look every brand strives for. Legibility was one of
Alianza Font
This is a complex typographic system which includes three different but complementary styles so far: Slab, italic and script, with nine weights each one; plus three sets of ornamental fonts: labels, negative labels and ornaments. The soul of the family
Epicon Font
With its geometric shapes and rounded terminals, Epicon Typeface is a modern and functional sans serif family with an air of technology. With 3 weights and their accompanying italics, this contemporary font is well-suited for all kind of application. From
Aneba Neue Font
Aneba Neue is refreshed version of my old type family. It's a geometric sans serif typeface with a clean feel. The low contrast and high x height is perfect for headlines and display purposes. Aneba_Neue contains 5 weights in two
Stanhope Font
Designed by Les Usherwood. Digitally engineered by Paul Hickson. Les based the design on a turn-of-the-century typeface of the same name. The foundry is believed to be Soldans & Payvers, circa 1904. Published by Red RoosterDownload Stanhope